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Word: matchlessly (lookup in dictionary) (lookup stats)
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...accepts or is angered by General de Gaulle's course is completely divorced from our area as U.S. visitors. France will always be France. Its citizenry, in massive majority, will always extend an openhearted welcome to us. Its treasure of cultural and hedonistic glories will always be matchless...

Author: /time Magazine | Title: One Bomb Per Casualty | 2/2/1968 | See Source »

...five of Harvard's usual seven top men either didn't start the race or weren't around for the finish. But today, inspired by Coach Bill McCurdy's matchless psyching, all the walking wounded are raring...

Author: By Richard D. Paisner, | Title: Harriers To Seek Big 3 Title Against Yale, Princeton Today | 11/3/1967 | See Source »

Britain's balletomanes were aghast at the news from Covent Garden. Rudolf Nureyev's partner in two productions of Romeo and Juliet this October will not be Dame Margot Fonteyn, 48, his matchless partner of the past five years, but a comparatively dewy Covent Garden ballerina from Rhodesia, Merle Park, 29. Could it be that the most brilliant team in modern ballet will be unhitched at last? "A big lie!" stormed Rudi. He and Dame Margot have occasionally danced with others in the past as schedules demanded. As Covent Gar den sped forward with reassurances that Rudi...

Author: /time Magazine | Title: People: Aug. 25, 1967 | 8/25/1967 | See Source »

...connoisseurs, there is no more magical-or diverting-world in miniature than the exquisite illustrations turned out by Persian artists over a period that extended for 600 years down to the 19th century. Culling the best from British collections, London's Victoria and Albert Museum is displaying a matchless, summer-long exhibition of 184 examples to demonstrate that Persian miniatures are, as Director John Pope-Hennessy puts it, "one of the most perfect arts the world has known...

Author: /time Magazine | Title: Exhibitions: The World of Fabulous Fables | 8/25/1967 | See Source »

...which supports the singers and frees them to pour their strength into vocal characterization. In the seven years since her first recording of the role, Birgit Nilsson has deepened her Isolde; her vocal performance, from the brilliant high C's to the oboelike low A's, is matchless. Wolfgang Windgassen excels as Tristan, particularly in the third act when his ravings take on a pathetic humanity. For those who care only about Isolde, Kirsten Flagstad's burnished, womanly performance (London) is still best; for Wagner's total creation, Bohm and Bayreuth are supreme...

Author: /time Magazine | Title: Television: Jun. 23, 1967 | 6/23/1967 | See Source »

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