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Marie-Josephe-Rose de Tascher de la Pagerie had two great loves. One was "Napoleon Bonaparte, who called her "my matchless little mother" and made her his Empress; the other was Paul Barras, revolutionist and member of the Directory, who remarked that "she would have drunk gold out of the skull of her lover" and referred to her as "the lewd Creole." Barras' estimate of Josephine was the one accepted by most 19th century biographers of Napoleon -chiefly, suggests Historian Ernest Knapton, because she left behind so few words in her own defense (only one "certain and authentic" letter...

Author: /time Magazine | Title: Books: Oh Mistress Mine | 2/7/1964 | See Source »

BILLY LIAR. In this tragicomic fantasy from Britain, Tom Courtenay gives a matchless performance as an undertaker's assistant whose dreams are bigger than life. And Julie Christie is a dream come true as his way-out girl friend...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Jan. 10, 1964 | 1/10/1964 | See Source »

...Complete Piano Sonatas (Angel). Artur Schnabel's death in 1951 did not slow the growth of his reputation as a pianist. In his time, he was considered the world's only true interpreter of Beethoven, and a matchless player of Mozart, Schubert and Brahms as well. But in the age of pianistic wizardry that has followed him, he seems even more-a musician among pianists, an artist among musicians. Of his many great recordings, the chef-d'oeuvre is his collection of all 32 Beethoven sonatas, here handsomely presented in a handsomely annotated edition...

Author: /time Magazine | Title: Records: The Year's Best | 12/20/1963 | See Source »

Unholy Trinity. In an age increasingly forced to distinguish between scatology, pornography and the legitimate study of evil, the story of Genet's progress to literary prominence exerts a monstrous fascination. For Genet is a matchless, unholy trinity of all three...

Author: /time Magazine | Title: Books: The Case of Jean Genet | 10/11/1963 | See Source »

...American opera debuts to such singers as Birgit Nilsson, Leontyne Price, Boris Christoff, Sandor Konya and Sutherland. Elisabeth Schwarzkopf, who has yet to sing at New York's Metropolitan, has been appearing in San Francisco since 1955. On good nights, the opera's chorus and ballet are matchless in the U.S., and some of San Francisco's stage sets make the Met's look as if they were built by tenors. Still, the Met dwarfs Adler's company with the kind of ease that inflames. The Met has more money, its own orchestra...

Author: /time Magazine | Title: Opera: Coming of Age in San Francisco | 9/27/1963 | See Source »

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