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DANCE | Undercurrents, José Mateo Ballet Theatre

Author: By Crimson Staff, | Title: Listings, Oct. 9-10, 2003 | 10/3/2003 | See Source »

Wallace had called his ex-wife that day at 2 p.m. to tell her he would not be able to make a meeting they had planned. She called the police because she thought this was unusual, said Bronwyn Hogan, Public Information Officer at the San Mateo County Sheriff’s Office...

Author: NO WRITER ATTRIBUTED | Title: Alumni Reported Missing Since Feb. | 3/5/2003 | See Source »

...could allow one slot machine or gaming table per tribe member. This would remove the financial incentive for a tribe to deny membership to legitimate tribal relatives. And it would prevent absurdities like Maryann Martin's one-woman tribe profiting from a 349-slot-machine casino. SONYA MEDWID San Mateo, Calif...

Author: /time Magazine | Title: Letters: Jan. 13, 2003 | 1/13/2003 | See Source »

Even the venue in which Mateo’s company now resides attests to his aim to liberate ballet from conventional theater. Mateo and his 15-year-old company have negotiated a 41-year lease at the Old Cambridge Baptist Church, which they moved into in July 2000. A Gothic church replete with vertical lines of tracery and paneling as well as a gorgeous stained glass window by Louis Comfort Tiffany may be an unlikely venue for a dance troupe. However, the notion is not entirely alien to dance. The Judson Church in New York’s Greenwich Village...

Author: NO WRITER ATTRIBUTED | Title: Theater at Harvard | 10/31/2002 | See Source »

...cast on the church’s stone walls. The audience seated in an intimate three-tier platform directly in front of the dancers challenges the traditional distance between performer and viewer. Cabaret-like tables pepper the tiers. Reminiscent of smoke-filled clubs, the Weimar republic and Marlene Dietrich, Mateo says the tables allow the audience “to see the choreography from some unconventional angles.” And there is something irresistibly irreverent about sipping martinis in a church...

Author: NO WRITER ATTRIBUTED | Title: Theater at Harvard | 10/31/2002 | See Source »

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