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So why would the Bard, at this stage in his career - age 32 and well established by the time Edward III was published in 1596 - need to collaborate on a play? Simply because, as literature scholars have documented, the London theaters of the day were competing for audiences and had...

Author: /time Magazine | Title: Plagiarism Software Finds a New Shakespeare Play | 10/20/2009 | See Source »

And yet that very university system may be part of the problem. Despite the city’s deep well of potential contributors, over half the pieces in the Nov. 2009 issue of the New York Review of Books are penned by professors, and several of the other writers are...

Author: By Jessica A. Sequeira, CRIMSON STAFF WRITER | Title: Bright Lights, Big Pity | 10/20/2009 | See Source »

In this case the time was the years just before and after the start of the First World War, in 1914. That was when the multidirectional Czech painter Frantisek Kupka and the austere Russian Kazimir Malevich were in their different ways achieving escape velocity on canvas. And so was Kandinsky...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

For Kandinsky, the horsemen in Blue Mountain had a symbolic meaning as emblems of expressive freedom. In 1911, when he formed an artists' group with Franz Marc, Alexei Jawlensky and a few other like-minded painters, they called it the Blue Rider. (Blue signified spirituality to him.) And by that...

Author: /time Magazine | Title: The Worlds Within | 10/19/2009 | See Source »

The independent National Security Archive at George Washington University recently translated chronicles of the Soviet discussion, mostly from notes taken by Anatoly Chernyaev, Gorbachev's senior foreign policy aide at the time. While the U.S. insists it is not an occupying force as the Soviets were, both missions faced many...

Author: /time Magazine | Title: The Soviets in Afghanistan: Obama's Déjà Vu? | 10/19/2009 | See Source »

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