Word: materialistically
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Dates: during 1980-1989
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...musings by some physicists on "the anthropic principle"--the idea that life and mind are somehow necessary to the universe. This sort of paradox leads Sheldrake to the radical position that changeless laws do not exist, and he has no use for what he disparagingly calls the "nominalist-materialist school,"--in other words, modern science...
...glitzy dreck that shared the same eye-grabbing fervor. Indeed, both were grounded in the same area, a sense of common life, but only Stella was able to make it work aesthetically. Those who think abstract art should betoken "spirituality" are bound to be put off by the materialist cast of mind that lends its here-and-now toughness to even the most florid of Stella's works. Relentlessly inventive, marred only by the glaring, grinding overcomplication of some of his pictorial machines, he is a paragon of mental horsepower. His show affirms that no painter need be the prisoner...
...Wilmington, Del., was as buoyant as the red, white and blue balloons waiting to be unleashed to the sky. Yet there was Joe Biden, gambling that he could pump up the crowd even higher while challenging his middle-class neighbors with the specter of a "nation at risk" from materialist values, declining industries, drug abuse, inadequate schools and kids abandoned to poverty. "It is the plight of our children that is the moral test of our time," he roared in a voice that bounced off the surrounding buildings...
...freedom but they will not necessarily starve for it. A society that wants to be free must not expose its members to this alternative." It is troubling that so much of American freedom is economically defined. It becomes a freedom to make fortunes, to consume happily in a materialist society. But does it follow that those who do not have money are not free? Certainly. Anatole France had a scathing line: "The law in its majestic equality forbids all men to sleep under bridges . . . the rich as well as the poor." Freedom is a feast to which the poor...
...Gone was the doubt and inner conflict that had tormented me in Europe. I painted as naturally as I breathed, spoke or perspired. My style was born as children are born, in a moment . . . after a torturous pregnancy of 35 years." His idea of public art, though secular and materialist, turned out to possess an immense sacerdotal gravity: it could stand in for religious icons. Even a relatively small easel painting like Flower Day, 1925, is consciously hieratic in its symmetry, the stillness of its squat figures, the blazing epiphanic color and the clear identification of the Indian flower bearer...