Word: mates
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Critic John Mason Brown, a cabin mate of Mac Bundy's aboard Kirk's flagship the Augusta during the Normandy landings, recalls that even then Mac was hardly the shy type. "On D-plus-one," said Brown, "I was summoned to the admiral's quarters and all the brass were having breakfast, including General Bradley. Mac was there too-the lowly lieutenant. Bradley was explaining some invasion move, and at one point he said, 'And then we go in here.' Mac said-in effect-'No we don't.' And Bradley accepted...
...only venture into domestic politics in recent years, Bundy got gored-but good. Self-confident as ever, he decided to try to untangle the messy brawl for the 1964 Democratic vice-presidential nomination. First he told Lyndon that he thought Bobby Kennedy would make a fine running mate, was naive enough to suggest that the two might work well together. After Lyndon thumbed Bobby down for the job, Bundy called Bobby and urged him to announce that he had voluntarily withdrawn from the running. That only made Bobby mad. "I'm afraid he hasn't been a very...
...Conrad's unsettling cinematic mannerisms. He recklessly jump-cuts from scene to scene, using gimmicky transitions or linking one sequence to another with trick dialogue. Between times, the plot turns upon Jeff's illicit love for Anne and his rash notion that he can murder her sadistic mate and get away with it by feigning insanity. The deed accomplished, all goes well until his encounter with a strikingly theatrical psychiatrist (Viveca Lindfors) who hints as tactfully as possible that Jeff's brainstorm was basically unsound. Any competent script doctor would second the diagnosis...
...workers care for both sets of eggs and raise the infant parasites just as if they were young of their own species. The parasites thrive while their considerate hosts all but work themselves to death taking care of them The fire ant economy is wrecked. The Healthy parasites mate conveniently in the nest and then fly away to subvert and weaken other fire ant colonies...
Early in their history, the Japanese learned to conserve the natural mate rials of their narrow archipelago, and their arts reflect this economy. A rice bowl, a fob (or netsuke), a lantern, kites and kimonos-each became a masterpiece of workmanship. In fact, not until the late 19th century was there even a word for fine arts, as opposed to mingei, or folk skills. As Manhattan's Asia House Gallery currently shows (see opposite page), the roots of Japanese art lie deep in its tradition of anonymous craftsmanship...