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...returned to Portland to court a hearty, good-looking social worker named Matilda Baricevich. "Mat" knew that marriage to Mike meant frozen bliss in the tundra. "I rather looked forward to it," she says, "even though I had the usual idea of eternal snow and sled dogs cuddling up to you in a cabin for warmth." Mike went on to Fairbanks in the fall of 1947, took his bar exams. Before the year was out, he was appointed city attorney and had settled down with Mat in a four-bedroom frame house...

Author: /time Magazine | Title: ALASKA: Land of Beauty & Swat | 6/9/1958 | See Source »

...much it means. People say hello, everything's gay and fine. And then comes that time-the time when you know you're going to have to stop just showing your teeth and start producing." Mike started producing right after his inauguration in June 1957. Says Matilda, who calls him "Mali" (Slavic for "little boy"): "When we were living in Fairbanks and Mali was practicing law, the jacket pocket on every one of his suits used to be torn from getting caught on a parking meter where he'd be leaning up while talking with the boys...

Author: /time Magazine | Title: ALASKA: Land of Beauty & Swat | 6/9/1958 | See Source »

...Squaw Hill, in the three-story, columned gubernatorial mansion, Mike pursues a rollicking, split-second family life. The eight little 'itches have to be undressed in assembly-line fashion for their showers; the mansion's third floor is blocked off ("We're always losing Dominic," says Matilda); Band-aids, next to food and clothing, are the big expense, what with the children falling downstairs or sliding too fast down the bannisters, or falling off the gubernatorial totem pole that stands outside. After dinner and a session of TV-watching, church-going Roman Catholic Mike sings out: "Prayers...

Author: /time Magazine | Title: ALASKA: Land of Beauty & Swat | 6/9/1958 | See Source »

...whisper. Occasionally, as she sweeps her almond eyes over the ringside tables, she lets flutter a throaty, tongue-trilling sound that suggests nothing so much as the invitation of an amorous cobra. Within the framework of That Old Black Magic she sings a medley of songs -Hold Him, Joe; Matilda; It Ain't Necessarily So; When the Saints Go Marching In -intersperses them with barefooted, hip-shaking dances. In her finale, she strips to fringed pantaloons and wriggles about the stage in a dance that starts the drummer shouting ("Don't stop now, Sallie, don't stop...

Author: /time Magazine | Title: Music: Topic A | 5/26/1958 | See Source »

...opera was performed last night with a flair which enhanced its entertaining qualities. Matilda Cole, as the wife, sang her florid part with an appropriately sly ease. Alan Rinzler seemed as though he was satirizing West Side Story more than anything else, but his delivery of two difficult arias more than compensated for his grotesque facial expressions...

Author: By Paul A. Buttenwieser, | Title: Divertimento and The Poor Sailor | 4/18/1958 | See Source »

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