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...Sullivan plays the vile Moor, Aaron, with stunning force. Pride and pure villainy radiate from his posture and face, and his voice grasps Shakesperean lines with brilliant skill. James Matisoff, playing the Emperor is impressively curt, hoarse, and pouting. Michael Sugarman makes a most fitting brother to the emperor, but Abigail Sugarman is not always at ease in the crucial role of the emperor's vengeful wife. Her face and voice do outstanding work for her difficult part, but her gestures and postures float detachedly or rigidly. As Lavinia, daughter to Titus, Susan Howe is intense and haunting. After...

Author: By Larry Hartmann, | Title: Titus Andronicus | 4/12/1957 | See Source »

...Critic is a somewhat shapeless play, made up of two parts. The first, little more than a series of character sketches, is laid in the home of one Dangle, portrayed ably but with a faintly incongruous accent by James Matisoff. Here, in addition to Puff, another aspiring author named Fret, played by Marc Brugnoni, and a gentleman-about-town called Sneer, portrayed by Robert Jordan, needle each other with polished skill. But Thomas Teal, as a horse-faced and impassive servant, all but steals the scene as the helps his master ceremoniously slip on a corset...

Author: By Thomas K. Schwabacher, | Title: Oedipus and The Critic | 10/11/1956 | See Source »

James Alan Matisoff '58 was awarded the Jeremy Belknap award of $50 for the best French composition written by a first year student in the College, and the Coolidge Debating Prize has been divided equally between George M. Fredrickson '56 and David P. Bryden '57--the best speakers in the trial for the Harvard-Yale-Princeton debates...

Author: NO WRITER ATTRIBUTED | Title: Fisher Wins $200 Sergant Translation Prize | 5/27/1955 | See Source »

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