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Word: matrix (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...larger skies than Manhattan's, in the Midwest and Pacific Northwest, contributed to the sense of vast atmospheric scale in his art. But to read it directly as landscape violates its meaning. The cliffs and ravines of color, the jagged rifts of blue or vermilion breaking through a matrix of dense enveloping black, are no metaphors of the Grand Canyon or the Rockies, nor do the flickering shapes literally allude to flame or cloud. They are meant to convey a sense of pantheistic energy, of intense mood and vigorously articulated feeling-to substitute, in fact, for nature it self...

Author: /time Magazine | Title: Art: The Tempest in the Paint Pot | 11/26/1979 | See Source »

...Theater--Matrix by Bill Whitman, Arean Theater, 4 pm, free...

Author: NO WRITER ATTRIBUTED | Title: WHAT is to be done at? | 10/26/1978 | See Source »

...when he sees his face in a group photograph. To this end, Ward gives us accounts of riding in the family car, going to high school, fertilizing his lawn, etc. He doesn't realize that this is not enough; these situations can at best serve as a matrix for creative comedy...

Author: By Paul A. Attanasio, | Title: A Bad Start | 10/5/1978 | See Source »

...basis of Westermann's art, which provides both the curt humor and the haunted pessimism with a formal matrix, is craftsmanship. After quitting the Marines in 1952, Westermann eked out his G.I. Bill income by working as a handyman and carpenter-precariously, since his standards of joinery and finish soon became too high for him to be employable in the quick-profit building trade. His sculptures have always been exquisitely made, the rare-wood inlays done with a skill almost vanished from modern American joinery, every miter and dovetail fitted to perfect tolerances. This pitch of care gives...

Author: /time Magazine | Title: Art: Westermann's Witty Sculptures | 6/19/1978 | See Source »

...almost two generations. Moreover, his motifs are almost subliminally recognizable: the wry face whose nose turns into a detachable line, the worried cats, the Ruritanian flourishes and curlicues, the apocalyptic scenes of street riots and urban breakdown, the setting of the bizarre commonplaces of American life in a cosmopolitan matrix. Such details of Steinberg's work constitute a signature and have subtly altered America for everyone who has seen them...

Author: /time Magazine | Title: The World of Steinberg | 4/17/1978 | See Source »

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