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Maryanne Culpepper of Fairfax, Va., a programming executive at National Geographic Television, is by no means a rigid mother. Her son Jonathan, 17, has seen the violent movie The Matrix four times in the month that it has been out. Yet she is cautious about the digital world, calling it "a culture that they just slip into." She says, "It's not so much the Internet or the games but which Internet site and which games...

Author: /time Magazine | Title: Are Video Games Really So Bad? | 5/10/1999 | See Source »

...fingerprint, there in the Catskills or the Grand Canyon. This would be faithfully preserved by photographers, like Ansel Adams at Yosemite. But 20th century painters from Dove and Hartley through Pollock conveyed them into more modern idioms, often with great power and poignancy. Landscape, in fact, was the matrix in which most of the impulses of American abstract art, except for its weaker strand of purist geometry, unfolded. In no other country except England and Australia was the relation between abstraction and landscape so strong, but in America it had a special persistence because of its Transcendentalist roots and overtones...

Author: /time Magazine | Title: Art: A Nation's Self-Image | 5/10/1999 | See Source »

Grownups can act out revenge fantasies too. In Payback, Mel Gibson dishes it out (pulls a ring out of a punk's nose, shoots his rival's face off through a pillow) and takes it (gets punched, switch-bladed, shot and, ick, toe-hammered). The Matrix, the first 1999 film to hit $100 million at the box office, has more kung fu than gun fu but still brandishes an arsenal of firepower in its tale of outsiders against the Internet droids...

Author: /time Magazine | Title: The Littleton Massacre: Bang, You're Dead | 5/3/1999 | See Source »

...young psyche--but some films may instruct it. Heathers and Natural Born Killers are crystal-clear satires on psychopathy, and The Basketball Diaries is a mordant portrait of drug addiction. Payback is a grimly synoptic parody of all gangster films. In three weeks, 15 million people have seen The Matrix and not gone berserk. And Carrie 2 is a crappy remake of a 1976 hit that led to no murders...

Author: /time Magazine | Title: The Littleton Massacre: Bang, You're Dead | 5/3/1999 | See Source »

...writer-director, who in Scanners, Videodrome, Crash and The Fly has dealt creepily and eloquently with the disintegration of mind and body. eXistenZ, where Leigh and Jude Law get into a virtual reality game and can't get out, is more modest than its current twin, The Matrix, but it pulses with a furtive fury that's pure Cronenberg. Like the virtual game he plays on us, the film is weird, it's addictive, and Lord, it's alive...

Author: /time Magazine | Title: Cinema: eXistenZ | 5/3/1999 | See Source »

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