Search Details

Word: matta (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...trundle on to Brattle St. with your paper sack of "spring" action clothespins, clipping them onto signs and children and Volkswagons and all and just when you're getting to like it the man comes up to you and says, "What's a matta kid? You some kind nut or somethun...

Author: NO WRITER ATTRIBUTED | Title: 'Clothespin Clip' Happily Happens; Fine Line Entangles Harvardians | 3/26/1966 | See Source »

...lyrical vitality of his 1911-1914 pictures with the decorative boudoir puffs and frills of his post-World War II efforts. The world innovative center for Western art shifted in the 1940s to New York under the influence of noted refugee painters from Europe, such as Mondriaan, Leger and Matta...

Author: /time Magazine | Title: Letters: Aug. 6, 1965 | 8/6/1965 | See Source »

MATT A-lolas, 15 East 55th. Chile-born, Paris-based Matta was a bright young acolyte in surrealism's heyday, but that label is too limiting for his talents. The variety of this excellent show proves that he is not to be confined by it. There are huge new spatial fireworks, exploding with the motion of the machine age, smaller works on the same theme, drawings and lithographs. But most interesting is a series of pastels that Matta calls Cabezas (portraits): four black, brutish simulations of heads that are magnificently ugly. Through...

Author: /time Magazine | Title: Art: UPTOWN: Apr. 24, 1964 | 4/24/1964 | See Source »

...down most language barriers (see listings for the Danes and Japanese below}. Any notion that the Latin Americans have failed to get the message is dispelled by this roundup of 17 accomplished painters from eight countries, among them Rufino Tamayo of Mexico, Alejandro Obregón of Colombia, Matta of Chile. Alejandro Otero of Venezuela and Wifredo Lam of Cuba. Through March...

Author: /time Magazine | Title: Art: Art in New York: Feb. 28, 1964 | 2/28/1964 | See Source »

...work was at first strongly influenced by Cézanne. Then the Dada revolution and the surrealists came across the Atlantic. In what turned out, as Biographer Ethel Schwabacher shows, to be a search for an expression of his own, Gorky borrowed from Picasso, Miró and Matta. He went from figurative to abstract and then added surrealism. Sometimes he built up his paint until his canvas seemed like sculptured relief. Sometimes he kept the paint thin as film and his canvas almost devoid of color...

Author: /time Magazine | Title: Art: The Bitter One | 2/23/1962 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | Next