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Despite its dark subject matter, director Maria-Ilinca Radulian ’11 describes the tone of “The Pillowman” as “playful...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: The Pillowman | 4/13/2010 | See Source »

...dancing seemingly provides more of an opportunity for self-expression, competing helps dancers build the skills necessary for collaborative creative communication. “When you dance by yourself, if your hip’s in a different direction than it should be, it doesn’t necessarily matter,” Szpak says. “It’s hard to get used to, but competitive dance forces you to realize, ‘If my triple isn’t perfect, the team will suffer.’ You’re not dancing for yourself...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

...cookies and crackers tantalizes the viewer, while the half-eaten sweets evoke a sense of nostalgia or loss. Kim describes her work in relation to memories of her father indulging in American candies and sharing them with her during the Korean War. Despite the unity of the subject matter, Kim’s work exhibits a remarkable range, with a Wayne Thiebault-esque canvas of peanut butter cups, a bronze relief of a bitten Oreo, and a wall of small oil paintings arranged Salon-style in unique frames, featuring portraits of commonplace snack foods like Teddy Grahams, Goldfish, and animal...

Author: By Alexandra perloff-giles, CRIMSON STAFF WRITER | Title: MFA Offers Young Artists Space to Exhibit Their Collections | 4/13/2010 | See Source »

...Marshall was a great rock-'n'-roll photographer, not because that was his only subject matter (he also shot jazz greats) but because he embodied the spirit of rock. With his gruff voice, demands for access and stamina to party, Jim, who was found dead March 24 at 74, was a star. He had the ability to upset people with his irascible manner and then charm them all over again...

Author: /time Magazine | Title: Jim Marshall | 4/12/2010 | See Source »

...Janis Joplin with her bottle of Southern Comfort, laughing at one of his jokes. There was no hair and makeup, no styling. At heart, he was a photojournalist. With a Leica camera or two hanging from his neck, Jim fought to get the best images he could, no matter whom or what he was shooting...

Author: /time Magazine | Title: Jim Marshall | 4/12/2010 | See Source »

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