Word: mattering
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...Etienne introduces her to a gang of party boys, their mistresses and some artistic types, and while Coco holds herself at a distance from most of them, she does make a few contacts that matter. The most important of these is an actress named Emilienne, a composite Fontaine created from two historical figures, played to the mischievous hilt by actress Emmanuelle Devos (Sur mes levres). It's Emilienne who encourages Coco to start making and selling her simple little hats, putting her on the road to her real career...
When contacted for a response, Abercrombie & Fitch issued the following statement: "We cannot comment on pending litigation. We have a strong equal-opportunity policy, and we accommodate religious beliefs and practices when possible. We are confident that the litigation of this matter will demonstrate that we have followed the law in every respect...
...matter how the suit turns out, Abercrombie & Fitch doesn't need another headache. The company just announced more dismal sales figures: August same-store sales declined 29%. In 2004, the EEOC sued Abercrombie for limiting its hiring of minorities; that case was settled for $50 million. A British woman sued the company for discrimination after Abercrombie's management allegedly shunted her to the stockroom for wearing a cardigan to cover her prosthetic arm. In August, a tribunal awarded her nearly $15,000. The EEOC has also sued Hollister, a teen retailer owned by Abercrombie, for allegedly firing a Pentecostal worker...
...rate, as writers over the centuries have realized, “genius” is ultimately a great consolation in itself. Just as the notion of a religious god continues to haunt much secular Western literature and art, the idea of genius—no matter how bankrupt—continues to make itself felt in the modern creative process. It reassures us that not everyone is destined to be merely a bit player, a secondary source, a “Fink-type.” Julia Kristeva put it best: genius is a “therapeutic invention that...
...course the Harvard Book Store’s “Espresso Book Machine” is an easy thing to criticize. After all, is it a solution to the print media crisis or to the problem of reading in the information age? Hardly—no matter how innovative the machine may be, its novelty must not distract us from the goal of making more texts available online. Isn’t it flawed? Absolutely—it would be nice if arrangements could be made with authors and publishers to include copyrighted materials in its catalogue...