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...first observation was that there was not a thing in common among these people apart from race,” remarks Scanlan on first meeting the students, Yet one of the main missions of Code Switch 7 is to evoke the individual—and highly personal—matter of dealing with racial issues. The common experience of being black at the A.R.T. provided them with an initial starting point. “It’s really isolating, because our class is very homogenous and we’re such a minority,” Brewster says...

Author: By Sophie O. Duvernoy, CRIMSON STAFF WRITER | Title: Code Switch 7 Takes On Race | 2/2/2010 | See Source »

...Running” interweaves two tracks that overlap haphazardly at times. Background hums that materialize and suddenly disappear are scattered throughout the record. Though jarring at first, the unusual mixing decision becomes an essential element of “Transference,” where vocal fragments complement lyrical subject matter within confident, upbeat instrumental performance...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Spoon | 2/2/2010 | See Source »

Consider the following two films: in the first, a character known for his logical prowess stands before the audience and explains, “When you eliminate the impossible, whatever remains, no matter how improbable, must be the truth,” and proceeds to deduce the unlikely origins of the film’s villain. In the second movie, our hero foils a sinister assassination plot involving large quantities of poison gas, using primarily his fists. Though many would recognize these common cinematic tropes, few would suspect that the first film is J.J. Abrams’s reinvention...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

...Doyle’s series than as a serious portrayal of it. From impossibly large explosions whose implausibility is exceeded only by the number of proximal characters who manage to survive them, to magical African flowers which perform convenient plot functions, this is not a film showcasing mind over matter. On occasion, we witness Holmes’s renowned analytical capabilities, but rarely are these moments integral to the story. Holmes uses his intellect not so much to outwit the villains as to discover their next target, whereupon conflicts are resolved in fantastical action sequences. But none of this...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Sherlock Holmes | 2/2/2010 | See Source »

Despite Munro’s clear attempts to move outside her comfort zone—even making one story’s narrator a man—the stories of “Too Much Happiness” still firmly belong in Munro Land. And despite subject matter that includes a fair amount of sex, drugs, and violence, her stories still read with the same quiet calm, so much so that it often takes a couple minutes for the full weight of the subject matter to sink...

Author: By Rebecca J. Levitan, CRIMSON STAFF WRITER | Title: 'Happiness' Without Substance | 2/2/2010 | See Source »

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