Word: matters
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Dates: during 1950-1959
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...photographers-and Ike, for that matter-had not seen anything yet. In a day and a half of Pakistani hospitality, he attended a society matron's dream of a dinner party (held under two huge, orange-and-black-striped tents that were floored with rich Oriental rugs), heard the eerie caterwauling of pipes played by a countermarching military regiment, watched Pathan tribesmen from the northwest frontier as they danced in wild, hair-tossing abandon, observed part of an Australian-Pakistani cricket match, marveled at an exhibition of tent-pegging (in which shrieking horsemen galloped full speed at tent pegs...
...left Pakistan as triumphantly as he entered. "Our discussions," declared Ayub, "have absolutely opened my eyes. It has been a matter of real education and information for us ... You are indeed a great...
...removal was carried out in 1954 after the former Attorney General, the late George Fingold, found no violation of trust in the matter. It involved recataloguing and storing the material in the building constructed to house the botanical collections belonging to the University. When the transfer took place, the Arboretum was left with books and specimens necessary, in the Corporation's view, to the effective operation of the Arboretum as a research facility. Materials now located in Cambridge are clearly marked "Arnold Arboretum," and are maintained from funds provided for that purpose...
...this a suitable way to approach the problem of honorary degrees? Beauty, after all, "is a vain and doubtful good," and in the matter of beauty contests we would need to feel no shame at turning away from our own time and burrowing into the past. But honorary degrees, Sirs, honorary degrees! Surely Harvard cannot shirk its duty to future historians, its duty to choose from among the many those few worthy of its recognition and their attention. Surely it would be unseemly for a great university to bury its head in the sands of the past and neglect history...
...either aspect, however, the artist nearly always proves himself master of his media. He imparts to his line the freedom one would expect of an ink drawing, while still retaining that rugged quality essential to a woodcut. His style, usually a decorative realism, varies with the mood and subject matter; but in almost every print Amen succeeds in evoking his desired effect, whether it be that of power or of mere cuteness...