Word: matthau
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...raft of films - Serpico, Death Wish, Dog Day Afternoon, Taxi Driver - navigated that stinky Styx with the expertise of a champion white-water rafter. A lesser but still pertinent entry was The Taking of Pelham One Two Three, which starred Robert Shaw as the criminal mastermind and Walter Matthau as the transit detective trying to talk him out of it. Among its many attractions, this was an action movie where the tension is conveyed mainly in phone calls betwen the killer...
...star looks puffy and has a gut you could park a Hummer on. Weighing in at a sedentary 220 lb. (100 kg), he's playing a desk jockey burdened by the usual bureaucratic bull plus a scandal that has put his career in the commode. (In the original film, Matthau rarely rose to anger; he was a weary, wily guy, just doing his job. This time it's personal.) And now, on the other end of the line, he's got Travolta, a chatty psychopath who just commandeered an IRT local and wants $10 million, cash, in an hour flat...
...actors and locating their emotional acuity. Mulligan directed Paul Newman in his second TV appearance (Suspense, 1952), and three years later in the Vidal TV play The Death of Billy the Kid, which Newman replayed on the big screen as The Left Handed Gun. Steve McQueen, Sidney Poitier, Walter Matthau, Rosemary Harris and George C. Scott did potent early TV work under his guiding hand. Scott made his Broadway debut in the only play Mulligan directed, the 1958 Comes a Day. He was no slouch with veterans either, winning an Emmy in 1960 for directing Laurence Olivier (in his first...
...Hollywood lefty who also starred in The Way We Were, the 1973 weepie that glamorized frizzy-haired communists and left-wing agitators from New York City and derogated real Americans like handsome blond Robert Redford. In Hello, Dolly, Streisand plays a professional matchmaker who has her eye on Walter Matthau, playing a "well-known unmarried half-a-millionaire." At a key moment, she declares, "Money, pardon the expression, is like manure. It's not worth a thing unless it's spread around." Where was Streisand's mother while this outrage was being perpetrated...
...names to the House Unamerican Activities Committee (HUAC), the organ for official McCarthyism, particularly as Budd Schulberg, Kazan’s screenwriter on this picture and “On the Waterfront” also acted as a “friendly witness” against alleged Communists. The Matthau character shows the self-hatred at an inability to create a viable third...