Word: mattress
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Dates: during 1960-1969
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...shouted to his next-door neighbor: "You got to come and see me. I done something bad." The neighbor replied: "You go to hell." Fellow occupants heard Speck stumbling about and peered at him. Said one: "Hey! This guy's bleeding to death." Sprawled on a scabrous mattress in the 5 x 9-ft. cubicle, Speck lay in a pool of blood from a slashed wrist and arm vein, apparently inflicted with a broken beer bottle. Called by the night clerk, two patrolmen arrived in a police...
...Only Pretending." Carried upstairs to a bedroom, the girl was given a lukewarm bath, dressed in a pair of white Capri pants, and placed on a mattress on the floor. Mrs. Baniszewski struck Sylvia on each side of the head with a book and told her to get up, that she was only pretending to be sick. Mercifully, Sylvia died...
Most films from Sweden are either saturated with sex or infatuated with Ingmar Bergman, or both. In two mettlesome new movies, a pair of little-known Swedish directors make no effort whatever to change the subject, which is still man-woman-mattress, but they owe little more to Bergman than full-bodied performances by several of his favorite actors. Both films display a strong personal style, evidence that Sweden's movie industry may be thriving on an infusion of warm blood...
...Mattress-Sized Popsicles. In turning art into a supermarket display, artists are reacting violently against the grandiloquent gestures of yesterday's abstract expressionists, whose work often looked like a square inch of Constable blown up to jumbo size. As the life went out of such abstract handwriting on walls, artists fell back on the visible world. In their embrace of reality, they state that art is no longer that which only looks like...
...pursuit is undertaken with relish and good humor, much as a Claes Oldenburg delights in making a mattress-sized Popsicle on a limp stick. Beauty seems no longer at stake; the word itself is rarely used. But tough, satirical commentary abounds. "An artist should be an evangelist for looking," says Rauschenberg. Yet in creating a second, magical reality, the artist often ends up with whole stage-sets, creating a future problem: What's to keep the museums of the future from looking like a decayed Disneyland, or the whole back...