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...look back? The technological revolution has no rearview mirror. We have not only seen the future, we've moved into it. Yesterday is history. Familiar forms will disappear. Who needs fiction when we have Survivor and the Florida Supreme Court? And new formats will change what designer Bruce Mau calls "the global image economy." Soon the multiplexes will go digital; "films" will no longer exist. We're already consuming e-books, e-movies, e-music. Egad...

Author: /time Magazine | Title: The Best & Worst of 2000 | 12/18/2000 | See Source »

...LIFE STYLE Design guru Bruce Mau argues passionately that form is inextricable from message. Nowhere is that truer than in his 624-page book, part portfolio, part manifesto, urging readers to become alert to the meanings transmitted in "the global image economy...

Author: /time Magazine | Title: Design | 12/18/2000 | See Source »

...look back? The technological revolution has no rearview mirror. We have not only seen the future, we've moved into it. Yesterday is history. Familiar forms will disappear. Who needs fiction when we have "Survivor" and the Florida Supreme Court? And new formats will change what designer Bruce Mau calls "the global image economy." Soon the multiplexes will go digital; "films" will no longer exist. We're already consuming e-books, e-movies, e-music. Egad...

Author: /time Magazine | Title: The Best & Worst of 2000 | 12/10/2000 | See Source »

...should remember that Hemingway was never shy about reaping the perks and rewards of his increasingly famous name. In fact, the 1953 East African safari that became the genesis of True at First Light began as a celebrity assignment for Look magazine. And the Kenyan government, worried that the Mau Mau uprisings would discourage tourism, welcomed Hemingway's visit and the publicity it would generate by naming him an honorary game warden...

Author: /time Magazine | Title: Books: Where's Papa? | 7/5/1999 | See Source »

Part of the problem stems from Hemingway's apparent uncertainty about where he wanted his story to go. Early on, some Mau Mau rebels who have escaped from jail pose a potential threat to the Hemingway encampment, but they abruptly vanish from the narrative. Another plot line involves Hemingway's fourth wife, Mary, and her fierce determination to shoot a particular lion before Christmas Day. "He's my lion," she says, sounding uncomfortably like a contestant in a Bad Hemingway writing contest, "and I love him and respect him and I have to kill him." She does so about halfway...

Author: /time Magazine | Title: Books: Where's Papa? | 7/5/1999 | See Source »

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