Word: maud
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Dates: during 2010-2019
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...were eloquent, addled, obsessively pursuing a line of romantic rhetoric or analyzing the erotic attraction of a teenager's knee. Applying a wry, professorial tone to the book of love, Rohmer beguiled two generations of art-house denizens. His purchase on their finer fancies began with My Night at Maud's, the 1969 chatfest that swept him into the global spotlight, and ended Jan. 11, with his death in Paris...
Rohmer came to film renown late - he was past 50 by the time My Night at Maud's was nominated for an Oscar for Best Original Screenplay. But he came into film early. Born Jean-Marie Scherer in the province of Lorraine, Rohmer moved to Paris, taught literature, worked as a reporter, wrote a novel. In 1950 he co-founded the Gazette du Cinéma with two other future filmmakers, Jacques Rivette and Jean-Luc Godard. Within a few years they - and François Truffaut and Claude Chabrol - were writing for Cahiers du Cinéma, which Rohmer...
While his colleagues became directors whose names were dropped at the better cocktail parties in London, New York City and Tokyo, Rohmer trudged along at the magazine and made shorts and feature-length pictures that got little notice. My Night at Maud's changed that. The soufflé-light, dialogue-heavy film - the first to be shown with subtitles in the Cannes festival competition - enchanted audiences with its tale of a man (Jean-Louis Trintignant) committed to one woman (Marie-Christine Barrault) but willing to stay the night with the divorced Maud (Françoise Fabian) just ... talking. After...
Creating fables both buoyant and grave, Rohmer had a movie personality hard to describe and harder to forget. Like subtle wines and lingering perfumes, his best films - Maud, Claire, Chloe, the 1994 Rendezvous in Paris - are essences all worth bottling...