Word: maud
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...National Association of Manufacturers in Manhattan three weeks ago, Man of the Year Johnson, wearing a hard-boiled shirt and expression, even quoted from Tennyson's "Maud" a bit of heroic verse to achieve the desired effect upon his audience...
...always brought rations up from the rear and her apearance was eagerly awaited by the men. In the Spanish war, mules gained much in prestige by their plucky work dragging light field guns through Philippine hill country. It was a great day for simple, hard working "Maud" when she was rewarded with the title of "Army Mule," and was paraded forth in a new blanket to face the Navy Goat, and equally sad, the first defeat and the loss to the enemy of blanket and pride...
...that was produced in Tulsa, the most interesting part was left out. Mr. Carlo Edwards, it is true, directed the Opera A'ida, but the first opera produced by the Tulsa Civic Opera was La Boheme, directed by an Indian woman. This woman, a Chickasaw, Daisy Maud Underwood, is a real Indian princess, her name being Princess Pakanli. She, with the aid of Hugh Sandidge, ,veteran operatic tenor of Memphis, Tenn., worked for two years under the most adverse conditions to get opera started in Oklahoma. She is a graduate of the New England Conservatory with a great voice...
Cancer by Inheritance The University of Chicago's remarkable Professor Maud Slye last week did two remarkable things: 1) She autopsied her 119,185th mouse. 2) She published in the American Journal of Cancer strong evidence that susceptibility to cancer is inheritable. But the susceptibility can be bred out of a family by judicious marriage. Like light hair, it is a genetically recessive characteristic, whereas resistance to cancer is like dark hair, a dominant characteristic. Susceptibility alone probably is not enough to insure a person's developing a cancer. There must also be an external factor (a bruise...
...beer glass. Critics in the chill light of a formal art gallery were not impressed with the "Back to Bouguereau" movement. Last week with a better artist and in a better cause (a loan exhibition at the Widenstein Galleries for New York's Child Welfare Committee), Maud Dale revived the work of one of M. Bouguereau's contemporaries, the late Giovanni Boldini. Giovanni Boldini ("Zanin" to intimates) was a society portraitist as artificial as any who ever stretched a lady's fingers to tickle her vanity. Modernists excuse Zanin Boldini for a virtue denied most Academicians...