Word: maugham
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Forthright and articulate about art, reticent about himself, Russian-born Painter Marc Chagall, 72, long a French resident, arrives in the U.S. to get an honorary doctor's degree next week at Brandeis University. Sounding somehow like a Somerset Maugham character, he told a Manhattan newswoman: "When one is young, one thinks of a goal in art. One talks. One reacts-as I did against cubism. But when one is older, one does what one does. One doesn't talk." Why does he still paint things reminiscent of his native city of Vitebsk, a good half-century after...
...alarm signals about leprosy were getting no results. Dr. Donohugh decided to throw his Navy training to the winds. Instead of proceeding only through channels, he labeled his charges "for wider dissemination" and slipped a copy to a newsman. What happened after that would have been grist for Somerset Maugham to grind out a sequel to Rain...
...86th birthday found Author W. Somerset Maugham in Bangkok and in the middle of his leisurely "farewell tour" of the Far East. To gratify a U.S. newsman's request, the Old Party issued a handwritten statement addressed to America. It went, in part: "Thank you for all the kindness that I have received at your hands since I first came to America 50 years ago . . . I have an idea that in two or three hundred years English will be the universal language, spoken all over the world. Of course, it won't be the English we speak...
...Hook for Soloists. Born Nevil Shute Norway in the London suburb of Baling on Jan. 17, 1899, the future novelist was the second son of a postal official who turned vacations on the Continent into competent travel books. Like another famed storyteller, Somerset Maugham, the boy suffered from an agonizing stammer. Sensitive Nevil played hooky, haunting the London Science Museum with its glass-encased models of the pioneering planes of Blériot and the Wright brothers. At the end of World War I, he entered Oxford as an engineering major. Young Norway was an indifferent student but a line...
...other top shows, TV came close to realizing its greatest potential: The Moon and Sixpence (NBC) presented Sir Laurence Olivier with a script that, despite faults, gave his immense talent full range. Somerset Maugham's biting novel of a man in the grip of artistic demons was formidable for transformation into less than 90 minutes of television drama. Before Playwright S. Lee (People Kill People Sometimes) Pogostin was called in, along with Director Bob Mulligan, two other scriptwriters had fumbled the job. After 48 hours packed with pencil work, pep pills and black coffee, Pogostin and Mulligan had built...