Word: mauldin
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...food and evidences of middle age. Bombeck herself has done it, as an Ohio mother of three and wife of a school principal. Now, with her children grown, she lives in a suburb of Phoenix. Bombeck has been called the female Art Buchwald. A better parallel might be Bill Mauldin, the author of World War IIs Willie and Joe cartoons. For at bottom, she views the housewife as society's thankless foot soldier, engaged in countless small battles to preserve the family's besieged traditions and values. Despite her lightness and the overcuteness of her titles (I Lost...
...Bryan Mauldin, an administrative assistant in the office for teaching resources who has had publishing experience and has aided the editorial board of "Byways," said yesterday "the students have worked very hard on it, especially considering their rigorous academic schedules. It is a publication of astonishingly high quality...
...foreign correspondent, Hong Kong-based Henry Bradsher. Costly wire and features services are also going. The Sacramento Union has saved as much as $80,000 a year by ordering its Associated Press ticker removed (and taking on the far less expensive Chicago Daily News/Sun-Times news service and Cartoonist Bill Mauldin), and Washington's WTTG-TV has for the moment stopped buying $100 commentaries by Columnists Rowland Evans and Robert Novak...
Happily, such pictures are beginning to find less favor with readers-and with cartoonists. Says Bill Mauldin, at 53 a. 35-year veteran of the editorial page: "Cartoons are getting better, more and more away from labels. Readers are more savvy. It is less and less necessary to put names on things. The trend is more interesting drawing, less complicated captions." To sharpen his point, Mauldin spent last semester teaching a course in his profession at Yale. "I deliberately started with a nondrawing bunch," recalls the most technically proficient cartoonist of his generation. "What counts is the thinking. A drawing...
...reason occurred three years after his debut, when Wright was awarded a Pulitzer Prize; the winning cartoon showed two survivors of a nuclear holocaust in a bomb-pocked landscape and was captioned: "You mean you were blurring?" Since then, Wright has abandoned the pencil-and-charcoal effects favored by Mauldin and Herblock. He has developed his own pen-and-ink style, in which faces and forms are distorted past realistic limits. His decisive lines and elongated figures are reminiscent of the technique of British Caricaturist Ronald Searle. Wright's characters, with their ballooning eyeballs, pinprick pupils and ramshackle poses...