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Word: maureene (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...butterfly relay, the Radcliffe quartet of tri-capt. Maureen Murphy, Sato, Downey, and Sue Sawyer captured second, while Krendl, Borden, Downey, and freshwoman Carol Moore also copped a second place in the individual medley. Radcliffe took five thirds in the other relay events...

Author: NO WRITER ATTRIBUTED | Title: Radcliffe Swim Team Turns In Strong Showing At Wellesley | 11/26/1974 | See Source »

...being given a splendid revival in Los Angeles' Mark Taper Forum Theater, with Walter Matthau in the role of the vainglorious Captain Boyle, Jack Lemmon as his bar "butty" Joxer, and Maureen Stapleton as his earth mother wife Juno. How did this particular production come about? Matthau and Lemmon had wanted to do the play for some tune, preferably with Stapleton. They approached Gordon Davidson, the energetic artistic director of the Mark Taper, and gave him a commitment for a five-week limited run, which was sold out by opening night...

Author: /time Magazine | Title: The Theater: Irish Trinity | 11/18/1974 | See Source »

...emotions. The actors are up to the challenge. Though he sometimes seems about as Irish as chopped chicken liver and onion on rye, Matthau is full of baleful Gaelic braggadocio as Captain Boyle. As Joxer, Lemmon is as spry and cunning as a soiled city sparrow, and for once, Maureen Stapleton acts from her heart rather than her frazzled nerve ends. Let loud praise for all be heard, for it is much merited...

Author: /time Magazine | Title: The Theater: Irish Trinity | 11/18/1974 | See Source »

Senior Nancy Sato and juniors Maureen Murphy and Kris Krendl are the team's tri-captains. Last year, Sato was ranked sixth in the East in both the one-meter and three-meter diving events...

Author: By Hugh M. Nesbit, | Title: 'Cliffe Swim Hopes Rest on Freshmen | 11/16/1974 | See Source »

Guest soloist Maureen Forrester gave a superbly dramatic performance of Mahler's "Songs of a Wayfarer," in an interpretation which emphasized the lyric, folk-song quality of Mahler's melodies. Her rich, sometimes deliberately harsh low register is a magnificent and constant surprise. The alternating sensuousness and despair which she brought to the fourth Song were suggestive of the lilting, tragic songs of Kurt Weil, which also have roots in German-Austrian folk melody. The orchestra--particularly its excellent wind section--gave her exceptionally sensitive support with clean, sharp attacks and supple phrasing. Forrester's spirited but somewhat less exciting...

Author: By Kathy Holub, | Title: HRO In A Grand Style | 11/13/1974 | See Source »

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