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...side of the screen, Wayne has often appeared to be loping through his roles. But on the other side, it seems, there has always been an exacting competitive performer. In McLintock, recalls Actress Maureen O'Hara, "he didn't like the way I was doing a scene, and he said angrily, 'C'mon, Maureen, get going. This is your scene.' I said I was trying to go fifty-fifty. 'Fifty-fifty, hell,' he said. 'It's your scene. Take it.' Then he added under his breath, 'If you can.' " The master of the western, Director John Ford, calls Wayne...

Author: /time Magazine | Title: Cinema: John Wayne as the Last Hero | 8/8/1969 | See Source »

GREAT LAKES SHAKESPEARE FESTIVAL, Lakewood Civic Auditorium, Lakewood, Ohio. Here a more traditional As You Like It features Maria Lennard, formerly of the Bristol Old Vic company, as Rosalind (July 9-15); Macbeth and his extremely active wife are played by Britishers Stephen Scott and Maureen Harley (July 17-27); and Troilus and Cressida stars Scott as Hector (Aug. 14-Sept. 11). A Shavian touch is added by Candida with Celeste Holm and Wesley Addy (July...

Author: /time Magazine | Title: Television: Jul. 11, 1969 | 7/11/1969 | See Source »

...Earp told Ford it really happened. Wagonmaster (1950) is rarely seen and one of Ford's most personal Westerns. One of the purest joys in all film. The Quiet Man (1952) is a ravishing color film shot in Ireland with the staples of the Ford "stock company": Wayne, Maureen O'Hara, Victory McLaglen, Ward Bond, Barry Fitzgerald. The Sun Shines Bright, Ford's deserved favorite of his films, is complex and unfashionable, and one of Ford's four unqualified masterpieces (How Green Was My Valley, The Searchers, Liberty Valance). The Searchers (1956) is the great epic of American film...

Author: By Tim Hunter, | Title: John Ford Retrospective | 5/21/1969 | See Source »

...those particles and put them together in vaguely chronological order. In nearly every respect, Farrow began as Hoffman's polar opposite. He was outside show business with his nose pressed up against the window. In Hollywood, Mia was Old Money: her father was Director John Farrow, her mother Actress Maureen O'Sullivan. The third of seven children, Mia was always the vulnerable one. "I got all the diseases," she recalls, "including polio when I was nine. The whole family had to be evacuated, and all my things burned. Even my magic box, full of things that were magical...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

...immediately after John's death," recalls Maureen O'Sullivan, "that Mia found herself a role in an off-Broadway production of The Importance of Being Earnest, which led to a part in a television show that we thought was dreadful. We all sat around and said, 'Now who's going to tell her?' We didn't tell her because she thought she was pretty horrible herself...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

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