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Flavored with young love and London fog, furnished with an assortment of sweatered rogues talking Cockney out the sides of their mouths, the plot capers at the Bishop's gaitered heels as he discovers that the crime was planned by Hester (Maureen O'Sullivan) and Donald (Norman Foster) to "get back the stolen papers." Walter Connolly made a great success as the Bishop in the Broadway version of Frederic Jackson's play last winter, but it is hard to believe that anyone could be as good as Edmund Gwenn is in this adaptation. He is even convincing when his Episcopalian...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 30, 1935 | 9/30/1935 | See Source »

...Charles Murfree's campaign publicity manager. It is Mike who becomes attached to Murfree's daughter Elinor but it is Pat who horrifies Mrs. Murfree by his frowzy appearance, dances an authentic jig at a political rally, conducts a senile romance with a female ward-leader named Oulihan (Maureen Delany) and finally wins the election for his son by appearing on a rostrum to denounce Murfree's rival for attempted kidnapping...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 30, 1935 | 9/30/1935 | See Source »

...join his regiment; and the snowy night when Anna goes to the station to say goodby to him and waits alone after he is gone, to kill herself. Largely omitted from all this are the vital secondary themes of the novel, the marriage of Levin (Gyles Isham) and Kitty (Maureen O'Sullivan), the complex affairs of Anna's brother Stiva (Reginald Owen) and his wife (Phoebe Foster). Far more important, however, is what Producer David Selznick and Director Clarence Brown contrived to stretch the limitations of their medium to include: the strong essential melodrama of Anna Karenina's career...

Author: /time Magazine | Title: Cinema: The New Pictures: Sep. 9, 1935 | 9/9/1935 | See Source »

...distaff side are female psychiatrists. Like Dr. Everest (Claudette Colbert) in Private Worlds, Mary White (Ann Harding) in this picture is baffled when her own life presents the sort of symptoms she is accustomed to deal with in her patients. Having healed the suicide fits of an heiress (Maureen O'Sullivan) by treating her sweetheart (Louis Hayward) for advanced dipsomania, she finds her maternal instincts for the latter in a state of overstimulation. Her confrère (Herbert Marshall) convinces her that what she mistakes for Love is merely spiritual chicken pox. This is the climax...

Author: /time Magazine | Title: Cinema: The New Pictures: Jun. 10, 1935 | 6/10/1935 | See Source »

...Married. Maureen Orcutt, 28, four-time Eastern golf champion; and John D. Crews, 38, Miami broker; in Miami...

Author: /time Magazine | Title: Milestones, May 20, 1935 | 5/20/1935 | See Source »

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