Word: mauritz
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Dates: during 1990-1999
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That decade was one of firsts; the 1920s was a decade of bests, as Europe produced films and filmmakers that were the envy of American producers and art-house audiences. In Sweden, Mauritz Stiller and Victor Sjostrom made sweeping dramas of man in tune with or enslaved by nature. Denmark's Carl Dreyer shot his heroically austere The Passion of Joan of Arc in France. The Germans boasted Ernst Lubitsch's puckish historical sagas and Fritz Lang's grand parables. Lang's Siegfried had a fire-breathing dragon, a contraption 50 ft. long operated by eight men; his gigantic, prophetic...
...interviews, that spent the past 14 years locked in a vault. Next month Simon & Schuster will publish Garbo, by the author Antoni Gronowicz, a longtime friend, who died five years ago. Withheld while Garbo was alive, it contains reminiscences about her childhood in Sweden and her relationships with mentor Mauritz Stiller, conductor Leopold Stokowski and others. In it, Garbo reflects on the tales that "women chased her more often and more persistently" than men. Another associate, film scholar Raymond Daum, has a book due out late this year...
...born Greta Gustafsson to a poor Stockholm family, and at first she gave little hint of her unique hold on the camera. In early publicity films she giggles and models dresses or gorges on a cream puff. There is no beauty here, no acting ability. What could Mauritz Stiller, the pioneer Swedish director, have seen in this plump teenager? Maybe the future of movies. He changed her name to Garbo, cast her as the young female lead in his The Story of Gosta Berling (1924), then brought her along to Hollywood. The rest of their story is too trite...