Word: max
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Dates: during 1960-1969
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LOVE AND REVOLUTION, by Max Eastman. The autobiography of a onetime radical editor and longtime happy warrior against repression, be it sexual (he once shared a mistress with Charlie Chaplin) or Communist...
LOVE AND REVOLUTION, by Max Eastman. The autobiography of a onetime radical editor and longtime happy warrior against repression, be it sexual (he once shared a mistress with Charlie Chaplin) or Communist...
...same time, adults who lived through a great depression, a shattering war, an anxious peace, and the whole onslaught of existentialism are less inclined than ever to proclaim what Margaret Mead calls "parental imperatives." Some of the slackening has been as silly as the diffident dad in Max Schulman's I Was a Teen-Age Dwarf, who takes his son on "palship walks." But much of the diminishing tension results from parental intent as well as parental abdication. Harvard Sociologist Talcott Parsons finds many young parents "committed to a policy of training serious independence in youth," to which children...
...into an orgy of intrigues on a pretty fast track. Viewers may occasionally wish they had a pony to keep abreast of what is happening. But they will never lose interest, thanks to two shrewd performers, Jean-Paul Belmondo and Jeanne Moreau, under direction from Marcel Ophuls (son of Max...
...studios, introducing her to such greats as Arp, Kandinsky and Jean Cocteau, while Peggy made good her resolve "to buy a painting a day." Dynamite Chronicle. Their advice proved good. When Peggy fled from Vichy France in 1941 for New York, she went encumbered with her future husband, Surrealist Max Ernst, her ex-husband, Laurence Vail, and art that had cost her only $40,000. The collection that adorns her Venice palazzo now is insured for $5,250,000. She had snatched up incendiary works from nearly all the key art movements since 1910-at a song...