Word: max
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Dates: during 1990-1999
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...related accidents and have to struggle harder to maintain their at-work focus. And when workers suffer, companies suffer. Dr. Martin Moore-Ede, CEO of Boston-based Circadian Technologies and author of The Twenty-Four-Hour Society, observes that the firms that have chosen to "push it to the max get hit later by the hidden problem of fatigue, burnout and stress." Sometimes the results can be disastrous. According to Moore-Ede, industrial deaths and injuries related to shiftwork cost the U.S. economy as much as $1.5 billion a year, and airplane crashes and plant explosions another $5 billion. Truck...
...Busch-Reisinger has accumulated over the past century an impressive holding of post-1880 German art with a particular emphasis on German Expressionism. The stark curation and sparing use of didactic wall texts are appropriately austere, boldly offsetting the colorful effusiveness of Gerhard Richter and the restrained hysteria of Max Beckmann. Also notable is a series of Bauhaus paintings (including works by Malevich and El Lissitsky), a pair of Jawlensky portraits, and an unusual Klimt. Currently on display is a collection of works by Hannah Darboven, touted by the curatorial staff as "one of the most important active German artists...
...actors, there are a number of openly gay TV writers and producers, including Wasteland's Kevin Williamson (who worked a regular character's coming-out story line into Dawson's Creek last season), Oh Grow Up's Alan Ball and W&G's co-creator and co-executive producer Max Mutchnick. In addition, the pioneering DeGeneres is developing a show for CBS. The network says it's unknown whether she'll play a gay character but contends she's free...
...there so little literary representation of minorities? As Fortenberry indicates, the assumption is that works by minority playwrights will be chosen by minority directors. Max-Joseph Montel '01, director of Women Beware Women opines: "As a director at Harvard with a limited number of shows I'll have time to direct, I choose plays that are worth it to me. I don't particularly look for diversity either in a play's potential for it or in the casting of it, but as a rule, I leave myself open to it." Perhaps it is that noncommittal stance that discourages many...
...done stuff like that," Max says. "Once I started scratching myself and couldn't stop...