Word: maxed
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Dates: during 1970-1979
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...Hang on Sloopy and In-Crowd fame, although he might deny it nowadays) move into the Music Hall for an 8 p.m. concert. I caught Ferguson at Brandy's Wharf a few years ago, and, sorry to say, he has lost a step or two since his days with Max Roach. The 50s were Fergie's hey-days. But his trumpet still has an inordinate amount of funk and the combination of Lewis and Ferguson make a viable Wednesday evening...
...hands of Philip Geyelin and Meg Greenfield, the Post has the best editorial page in the country. It achieves an urbanity of tone, reasoning conversationally with lawmakers and officials, and frequently surprises with unexpected insight. A bright, idiomatic tone has crept into the Times editorial page since Max Frankel became its editor on Jan. 1. He seems determined to modulate that Ugh, Big Chief Has Spoken voice of the Times...
...create an elegant essay in formal design. To the insistent rhythms of an electronic sitar, Whitney creates an Oriental kaleidoscope of pulsating colors and lines. Roll'em Lola, a product of Southern California's Department of Film Graphics is a fast-paced car chase through a liquified Peter Max landscape that keeps changing into the sinuous humps and valleys of an Ingres odalisque. And Will Vinton simply uses animated clay to tell a sly parable of nature's revenge on three musicians who "groove too high" on their electric guitars...
Several levels of dishonesty become apparent in Network. The film hits its deceitful best in its with which to identify. We have an Edward R. Murrow character in whore-number-one, Max Shumacher (William Holden), head of the news division. But unlike Murrow (who was virtuous both on and off the screen) Shumacher leaves his wife of 25 years and shacks up with whore-number-two, vice president for programming Diana Christenson (Faye Dunaway...
...Childhood of Maxim Gorky, by Max Konskoi. Sunday...