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Word: maxed (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...York: The big play is being given to the Max Ernst exhibit at the Guggenheim. This week's New Yorker quoted the 83-year-old Ernst as saying; "My painting comes straight from my imagination, and that is distinct from the dreams." Those who like to label people call him a surrealist...

Author: By Kathy Garrett, | Title: GALLERIES | 3/27/1975 | See Source »

Rosellini's Voyage To Italy, with Ingrid Bergman and George Sander, Plus Three Max Linder shorts, Thursday, March...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 3/13/1975 | See Source »

...that Jewish lobbyists have just about given up on the Secretary and work through Congress instead. Friction arose, for example, over Nixon's opposition to helping Soviet Jews through the Jackson Amendment, but Jewish leaders had no difficulty discussing it with him. One of Nixon's Jewish backers, Industrialist Max Fisher of Detroit, arranged such a talk. Fisher also set up a meeting with Nixon in which Jewish leaders urged intervention with the Soviet Union to lift the death sentences given two Leningrad Jews who had tried to hijack a plane and flee the Soviet Union. Nixon and Kissinger...

Author: /time Magazine | Title: FOREIGN POLICY: AMERICAN JEWS AND ISRAEL | 3/10/1975 | See Source »

Lels Montee. Andrew Sarris's numero uno, and a lot of other people's 100. About the famous dancer/mistress who had affairs with people like Ludwig of Bavaria and that composer who travelled around in a wagon--Liazt. I think, or maybe Griag. Max Ophuls's last film, made in 1955 in color with Martina Carol. Anton Walbrook and Peter Ustinov. Part of Harvard-Epworth's Ophule festival. The Shadow Catcher, at the Welles, sounds real interesting. About Edward S. Curtis and the Native Americans he photographed and filmed at the beginning of this century. With narration by Donald Sutherland...

Author: By Richard Turner, | Title: THE SCREEN | 3/6/1975 | See Source »

...Kooning's portraits are equally fascinating. Portrait of Max Morgulis displays great sensitivity to the intensity of the pencil line. Subtle changes in pressure lend a delicacy to the face, which seems to emerge quietly from the paper. A less representational series of pen and ink drawings are devoted to the female form in relation to its surroundings. In Figure in Interior the human body is absorbed by bold black strokes that envelop it. The woman in Untitled, 1967, is swept up in the rhythm of the lines as one might be carried off by a hurricane...

Author: By Ira Fink, | Title: Taming Action Painting | 3/4/1975 | See Source »

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