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EVERYONE WAS EXPECTING him to sit and watch from the sidelines. But moments after the Green Bay Packers' first-string receiver separated a shoulder, Max McGee was forced to borrow a teammate's helmet before racing onto the field. The former Air Force pilot made history that day, catching the first touchdown pass in Super Bowl history--leading the Packers to a 35-10 victory over the Kansas City Chiefs in 1967. After 12 seasons, McGee retired, refocusing his energy on Chi-Chi's, the Mexican-restaurant chain he co-founded, which operated throughout the U.S. until 2004. He died...

Author: /time Magazine | Title: Milestones Nov. 5, 2007 | 10/25/2007 | See Source »

...importance of light and movement, and complementing the ever-shifting silhouette of the spot-lit sculpture. In the past, the original sculpture has only been set in motion during weekly demonstrations due to its fragility, while the label directed viewers to a video made available online. Paintings by Max Beckmann from the Pinakothek der Moderne, Munich Through Jan. 6, 2008 The three paintings by Max Beckmann on loan from the Pinakothek der Moderne in Munich each represent very different stages in the German painter’s life and career. The earliest, “Dance in Baden-Baden?...

Author: By Anna K. Barnet, CRIMSON STAFF WRITER | Title: Museum Roundup | 10/12/2007 | See Source »

This mundane and continuous task contrasts strikingly with the emotional heaviness of the setting and the constant threat of a sudden end to Max and Horst’s lives...

Author: By Victoria B. Kabak, CRIMSON STAFF WRITER | Title: ‘Bent’ Tells a Wrenching Tale | 10/8/2007 | See Source »

Flynn uses the available space masterfully to portray the main characters’ journey from their apartment to a tent city and ultimately Dachau. One particularly effective moment comes during the first half of the play, as Max and Rudy sit in the center of the stage—physically close to their apartment, but clearly feeling displaced from home...

Author: By Victoria B. Kabak, CRIMSON STAFF WRITER | Title: ‘Bent’ Tells a Wrenching Tale | 10/8/2007 | See Source »

...most of the second act, the words “I see everything”—words that the voice of a bodiless German guard repeats to Max and Horst—remain projected onto a black screen elevated above the back of the stage. This phrase and its staging are a fitting choice for a scene in which the two characters bare themselves psychologically, both to the audience and to each other...

Author: By Victoria B. Kabak, CRIMSON STAFF WRITER | Title: ‘Bent’ Tells a Wrenching Tale | 10/8/2007 | See Source »

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