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...MAXIMILIAN SCHELL...

Author: /time Magazine | Title: Cinema: Walking Small | 4/8/1974 | See Source »

...Pedestrian broods over German guilt rather too prettily. It is the third film directed by Maximilian Schell, and it is serious - perhaps excessively so - in purpose and demeanor. The Pedestrian is riddled with angst and festooned with a lot of fussy, soft-focus photography that makes its sober speculations on national culpability look like the latest thing in a trendy magazine: "Germany - Forgive and Forget" or "The Fatherland: Two Decades of Remorse." The subject of the film is a prominent German industrialist who may or may not have participated in executing most of a Greek village. His complicity in this...

Author: /time Magazine | Title: Cinema: Walking Small | 4/8/1974 | See Source »

...favorite with the American Ballet Theater. Less striking but still provocative were Dances for Isadora, which drew on the Duncan story to fashion a subtle metaphor of death-in-life and life-in-death, and Carlata, a mad court fantasy (danced to silence) about the widow of the Emperor Maximilian of Mexico. Where is the permanent theater home that Limon deserves...

Author: /time Magazine | Title: Dance: Delights of Diversity | 11/20/1972 | See Source »

...packed buses and trains. At least 150,000 strong, they pushed shoulder to shoulder past the rusty barbed-wire fences into the Auschwitz Birkenau extermination camp, where 4,000,000 died during the Nazi hell. The pilgrims had come to honor one of those dead, a Franciscan friar named Maximilian Kolbe who had stepped forward one day in 1941 to take the place of a family man selected for execution...

Author: /time Magazine | Title: Religion: Pilgrim in Poland | 10/30/1972 | See Source »

...Middle Ages. The Saxons, as is their wont, have been sacking the countryside, raping and pillaging and generally making a nuisance of themselves. Under such circumstances, it is hardly safe for a young nun to travel openly. When Joan (Liv Ullmann) must flee her nunnery, loyal Father Adrian (Maximilian Schell) chops her long honey-colored hair into a kind of modified Sassoon, outfits her in a monk's habit and runs with her from the marauding hordes...

Author: /time Magazine | Title: Cinema: Papal Bull | 9/11/1972 | See Source »

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