Word: maximizing
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...Cannon, onetime (1903-11) Speaker of the House of Representatives, appeared on TIME'S first cover, March 3, 1923. Drawing VIPs one after another in one-hour sessions, Oberhardt learned to control his awed nerves by recalling the dry advice of one of his portrait subjects, Inventor Hudson Maxim: "The more you get to know celebrities, the more you will find their halo hanging over...
Little magazine poetry subscribes by and large to the maxim that poets, like porpoises, run in schools. American poets (with very few exceptions) stopped thinking after T. S. Eliot, divided into two camps, and started publishing little magazines. The first flails away at the English language, American technology, form, the gentle passions, and the fairer sex; its grenadiers are men like Allen Ginsberg--neurotic Walt Whitmans with heroin and hypodermic needles and an intense sense of persecution. The second consists of old men with furrowed brows, writing for university quarterlies and occasionally publishing in the Atlantic; substituting form for substance...
Magic Money. Gulbenkian was an Armenian, but he did not rise from rugs to riches. His father. Sarkis. was a prosperous kerosene importer in suburban Constantinople. Calouste adopted an old Arab proverb as his first business maxim while palm-priming the sultan's retinue with baksheesh: "The hand you dare not bite, kiss it." Priming himself with a civil engineering degree at London's King's College, Calouste visited the Baku oilfields in 1888, and in his 20th year wrote an authoritative book on the Baku petroleum industry. It was the overture to decades of what Gulbenkian...
...Connor finds it readymade for him to put on in the wise words of Montaigne: "The grandeur of the soul does not consist in flying high, but in walking orderly; its grandeur does not exercise in grandeur, but in mediocrity." If O'Connor had held to this maxim as stoutly in his prose (which is often sheer gibberish) as he has in taking the "road to conformity," Public Baby would have been easier to take as a memorial to an ill-spent life...
...Author Sheean is fascinated by Verdi's "peasant" response both to the grim tragedies of his youth and the fame of his later years. The words that appear in Verdi's last and perhaps greatest work, Falstaff-"Cammina! Cammina!" (keep going, keep going)-were already his maxim in his null and he kept going at the rate of more than an opera a year. Verdi hated Milan, hated the power of La Scala's management, hated "the rule of the foreigner and the secret police." But to "keep going." he pruned, cut and distorted "his rugged talent...