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...newly founded Soviet Union - a role it maintained for the next seven decades. Through the years, the Old Theater's stage was home to some of dance's biggest names, including Galina Ulanova, who danced the definitive Romeo and Juliet in the 1950s, and her contemporaries, the couple Ekaterina Maximova and Vladimir Vasiliev. During the height of the cold war, it remained one of the Soviet Union's most potent exports. Beautiful and mysterious, the Russian dancers' sleek lines and avant-garde choreography dazzled Westerners...

Author: /time Magazine | Title: Retaking Center Stage | 2/22/2007 | See Source »

...produce a one-act ballet at the Bolshoi this season. (Wheeldon's, a brand-new work called Misericors, debuted on Feb. 13.) "I don't want the Bolshoi to be the work of just one choreographer," Ratmansky says. Unlike years past, when a dancer's name - like Baryshnikov or Maximova - would be a key advertising point, at the new Bolshoi it is choreographers Wheeldon and Tharp who are the big draws. Their arrival in Moscow "heralds a more youthful, flexible approach to choreography," says Winnipeg's Lewis. "What Ratmansky is doing may change ballet...

Author: /time Magazine | Title: Retaking Center Stage | 2/22/2007 | See Source »

...spinning, headlong leaps into the arms of supporting male dancers; a vaulting lift in which Ballerina Struchkova balanced light as a gull on the arched chest of her partner; a delicate tracery of pirouettes executed at stunning speed by the Bolshoi's youngest ballerina, 19-year-old Ekaterina Maximova. Unfortunately, the dancers' technique was more impressive than their material: among the selections was a glass-beaded resurrection of Walpurgis Night, from Gounod's Faust, with the satyrs decked out in yellow wigs that made each a dead ringer for Harpo Marx...

Author: /time Magazine | Title: Music: The Bolshoi's Bounce | 5/4/1959 | See Source »

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