Word: maxims
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Dates: during 1960-1969
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...wild mockery, unthinkable in the 20th century." That is how one young Russian, Pavel Litvinov, the grandson of ex-Soviet Foreign Minister Maxim Litvinov, described the trial in Moscow last week of four young intellectuals accused of anti-Soviet agitation. In a show of defiance not seen for years in the Soviet Union, members of the country's educated elite challenged the government's case. Several petitions circulated, demanding "a full public airing" at the trial. Crowds gathered outside the courtroom, yelling, shoving and needling security guards. But Soviet justice pays scant heed to public opinion. After...
...Paris, Americans are not yet barred from Maxim's, the Lido or the Folies-Bergere, and 26,000 U.S. residents in France are still permitted to pay De Gaulle's taxes. One heartening note: a poll by the French Institute of Public Opinion reported that only 27% of the French think that the U.S. is a military threat to Europe. Some Frenchmen even profess to like Americans. Expatriates often hear such remarks as: "We think the general is being too tough on you, and we don't all share his feelings." Such remarks are usually passed late...
...North. Through their representatives in Paris, Algiers, Bratislava and even Hanoi, the V.C. have announced that reunification should take place step by step, over a period of five to 20 years. All this pleases Viet Nam's smaller, frightened neighbors, some of whom use the same maxim that Britons apply to Germany: they love the country so much that they like to see two of them. Of course the U.S. is in no hurry for reunification. The Viet Cong's de-emphasis of the question may be a political ploy, but the fact is that...
...Though the boys throw stones at the frogs in sport," wrote an ancient Greek poet," the frogs do not die in sport but in earnest." The Barrow gang -Bonnie and Clyde, his brother Buck and wife Blanche, their goofy, moonfaced driver, C. W. Moss-proves the truth of that maxim with its targets. At first, the shots are scattered in the air, like careless shouts. Then one lands point-blank in the face of a bank clerk. Blood hurts onto the screen, and from that instant, the audience is torn between horror and glee...
...power the chairs. The pattern of lines incised into the cement floor is taken into account and even the accordion walls holding windows and louvres at the back of the room are used to display furniture. All is appropriate and sufficient, no more. Katayama takes van der Rohe's maxim "less is more" as his own--his aim is to parry and eliminate, always saying with the barest essentials more than would be said with much encumbrance and ornament. The beauty of his design is that he leaves the chairs to talk for themselves. In fact, he forces them...