Word: maxims
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...legal maxim holds that "justice delayed is justice denied." If that is true, then plenty of Americans are denied justice. The Bill of Rights guarantees the defendant a "speedy" trial in criminal prosecutions, but in civil cases the wheels of justice may turn with agonizing slowness. Largely because of an upsurge in personal-injury suits during the postwar years, the average elapsed time between the filing of a federal civil suit and disposition of the case has increased from nine months in 1945 to 15 months now. In many state and local courts, justice is even slower. On the average...
...stepped forward was Kornei Chukovsky, 78, in his time the friend of Anton Chekov and Maxim Gorky. After recalling his long friendship with Pasternak, Chukovsky gingerly approached the crucial question: Pasternak's quarrel with the Communist Party. It resulted, said Chukovsky, from Pasternak's sharing Leo Tolstoy's pacifism and his refusal to "condone the resistance to evil by violence." In this Pasternak erred, stated Chukovsky. Then, having made the necessary obeisance to the Kremlin, he went on strongly to praise his old friend as a "splendid fighter," a perfect model of how an artist "should defend...
...wiggly-hipped, exotic beat that sounds part Latino, part Arab. When the song is played at Geneva's tonier-than-thou Chez Maxim's, aging bankers and their young girl friends go into curious convulsions on the dance floor; at least one U.N. functionary has been known to snatch up a tablecloth, wrap it around his waist and do a belly dance. In Paris the tune tumbles endlessly from Left Bank students' rooms; chefs abandon soufflés to hear it. From Stockholm to Sorrento, Bandleader Bob Azzam's Mustapha has spread like a rampaging fungus...
Delwati guina Chez Maxim...
...this is, more or less, the story of a fellah who once lived in the Cairo slum of Attarine, is now at Chez Maxim's (where Bandleader Azzam himself hit the big time), and adores his girl "like tomato sauce" (salsa del pommodore in Azzam's pidgin Italian). But the words do not matter. They merely complement the international melody, which tinkles like goat bells near the White Nile and clicks like the heels of an Andalusian gypsy. Scored by Azzam for bongos, flute, tambourine, echo chamber and his own voice, Mustapha is adapted from an Egyptian student...