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Word: may (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...powerful virtuosity -incredible catches, runners who break away from swarms of opponents just when they seem stopped, crunching tackles and jet-powered blocks. No experienced pro fan ever leaves a game in its last five minutes when his team is only two touchdowns behind-any club can, and may, explode in those five minutes and win. Pro football is a game in which every carefully selected, battle-tried man seems larger than life, not only in skill and speed, but in sheer brute strength...

Author: /time Magazine | Title: Sport: A Man's Game | 11/30/1959 | See Source »

...hold a special meeting to plan how we're going to get Sam Huff." Huff has perfected the linebacker's risky technique of guessing where the play is going and meeting the runner head-on in the hole. From hours of study, he knows what plays may be run from any formation. To discover which one is coming, he searches the offensive players for telltale clues. "If the center has his weight off the ball and is back on his haunches, it's going to be a pass," says Huff, "because he's getting ready...

Author: /time Magazine | Title: Sport: A Man's Game | 11/30/1959 | See Source »

...took a hand, ABC confronted him with a significant decision: he must get rid of his outside music interests or else quit TV. The companies involved: Swan Records, Sea Lark Enterprises, January Music, Arch Music. (Entrepreneur Clark also has an interest in Drexel Productions, a TV packaging firm, and may have connections with Jamie Records, other record companies, a talent agency, a record-pressing plant, and a production company named Clarkfeld.) Faced with the ABC ultimatum, Clark decided to "divest" himself of his interests in various music firms (he did not specify how). His TV producer and partner in Swan...

Author: /time Magazine | Title: Show Business: Facing the Music | 11/30/1959 | See Source »

...which binds screen hopefuls to the studio for seven years at a predetermined salary, often prevents them from reaping the customary rewards of stardom, e.g., sharing in "residual" rights from rerun TV shows. If the actors make personal appearances, Warners pockets 90% to 100% of their earnings. The studio may cancel the contract at will; the actor has no option to cancel or renew...

Author: /time Magazine | Title: HOLLYWOOD: Unhappy People--with Spurs | 11/30/1959 | See Source »

Admitting that there may have been irregularities, TV Boss Bill Orr argued: "Instead of being unhappy, these people should be thankful . . . Look and see what some of these unhappy people were doing before they came to Warner Bros." But the actors were not buying that. Most echoed Maverick's James Garner, who makes a reported $1,750 a week: "I feel like a slab of meat hanging there; every once in a while they cut off a piece...

Author: /time Magazine | Title: HOLLYWOOD: Unhappy People--with Spurs | 11/30/1959 | See Source »

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