Word: mayan
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Dates: during 1990-1999
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Together with the U.S. Customs Service, Josephson's agency has helped stem the smuggling of archaeological loot from one region: Latin America. Plunderers of pre-Columbian sites used to have a field day rifling covertly excavated Mayan, Olmec and Incan ruins and shipping the artifacts north to a voracious U.S. market. In 1970 the UNESCO convention on cultural property established an international framework to curb pillage and the illicit trade in artifacts. Among the rich countries that are the biggest markets for stolen works, however, only the U.S. and Canada signed the treaty. Britain, France, & Germany, Switzerland, the Low Countries...
...point is not idle, and many scholars would rush to defend it. Still, when an Etruscan tomb is emptied, a church desecrated, a Mayan temple bulldozed and a museum Vermeer yanked from its frame, it is hard to see how rich societies, let alone poor ones, can enjoy art in peace for long. In turning a blind eye to the canker that feeds on it, the art world is losing security, losing art and losing its soul...
...long way from hydrotherapy classes or from sleeping with their therapists. The Filipino punk joint may be a symbol of the latest form of California strangeness -- polyglot multiculturalism -- but it hardly seems out of place in a state where tire stores are built in the shape of Mayan temples and movies are screened in a replica of a palace at Thebes...
...image of Socrates and have to know when he lived in order to move to the next clue. Carmen's trail may lead a player from Kigali to Istanbul, from the Golden Gate Bridge to the Cowboy Hall of Fame, or from the Leaning Tower of Pisa to Mayan ruins. Some of the questions are far from easy: players may have to know the currency of a distant country, identify a South Pacific island tribe, or describe the significance of historical figures such as Frankish King Clovis I (A.D. 466-511) in order to nab the thief...
Allied to this was the city as tomb, both futuristic and archaic, a kind of Mayan ruin referring only to itself, incomprehensible to its antlike inhabitants. This left its most startling images in the expressionist cinema and in the sublime renderings of the American architect Hugh Ferriss, the Piranesi of the skyscraper age. But it also turns up in projects that were, however nominally, designed for the real world, like the huge pink mastabas of the "Metropolis" that Henri Sauvage hoped to raise beside the Seine...