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...August, do believers in I Ching or crystals gather together with believers in astral travel, shamans, Lemurians and tarot readers, for a communal chanting of om, the Hindu invocation that often precedes meditation. Led on by the urgings of Jose Arguelles, a Colorado art historian who claimed that ancient Mayan calendars foretold the end of the world unless the faithful gathered to provide harmony, some 20,000 New Agers assembled at "sacred sites" from Central Park to Mount Shasta to -- uh -- provide harmony...

Author: /time Magazine | Title: Living: New Age Harmonies | 12/7/1987 | See Source »

What was going on here? Well, it all seems to have started in the inventive head of Jose Arguelles, an erstwhile art historian who is a dedicated publicist for his book The Mayan Factor: Path Beyond Technology (Bear Publishing; Santa Fe). To anyone who would listen, Arguelles argued that his studies of ancient Mayan calendars showed that the "materialistic" world would end on Aug. 16 -- when three planets lined up with the new moon -- unless 144,000 true believers gathered in various "sacred sites" around the world and "resonated" sufficiently to bring on a new age of peace and harmony...

Author: /time Magazine | Title: Living: A New Age Dawning | 8/31/1987 | See Source »

...country, some 40,000 of them to neighboring Mexico. Thus, when Mexican President Miguel de la Madrid Hurtado last week praised Guatemala's democratic principles during his first state visit to that country, he was acknowledging an important change in the land that was once the jewel of the Mayan empire...

Author: /time Magazine | Title: Guatemala Giving Democracy A Chance | 4/20/1987 | See Source »

...Stranglers do manage to generate some interest in those songs augmented by a horn section, creating sound textures not usually heard in synth-pop. The best of these tunes is "Mayan Skies," an impressionistic little piece that is the album's least pretentious effort...

Author: By Gary L. Susman, | Title: VINYL | 2/19/1987 | See Source »

...like the use of bodies as mechanical parts in Busby Berkeley's choreography or the precisely drilled production-line kicks of the Rockettes. Its soaring shafts, tapering setbacks and elaborate stacking (for this was the age of Rockefeller Center, not of the banal glass box) hinted at vastly oversized Mayan temples; the contrast between glittering surface and deep wells and slots of shadow suggested exuberance and secrecy conjoined, the "metropolitan style" of Big Business. Instead of quoting Gothic or Renaissance detail as an indirect sign of quality, the whole tower changed into a business logo, architecture as advertisement -- the archexample...

Author: /time Magazine | Title: Design: Back to the Lost Future | 12/22/1986 | See Source »

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