Word: mayan
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Professor Tozzer was presented with a pre-publication copy of a book. "The Maya and Their Neighbors," written and dedicated to him by many of those present. He is recognized as an outstanding authority on Central American archaeology and the Mayan civilization, and he has done much excavation and exploration in that field...
...diggers do not know how old the great faces are, who carved them, or what their significance was. They will try to find out. They guess that the carvings must have served some purpose in awesome religious rites. The heads have no apparent kinship with any known Mayan sculpture. Biggest mystery: Tabasco heads are made of basalt, and the nearest known source of basalt is 100 miles away. The people who made them must have done a tall job of transportation...
...armed with rifles with fixed bayonets. There are times for heroes, times for diplomats. Forty-two-year-old Captain Lorber was a hero to more than his Baltimore family. He had behind him a record of a million miles of overwater flying, aerial explorations of the Yucatan's Mayan ruins, of Brazil's Mato Grosso jungles. But this was no time for heroes. Captain Lorber gave...
...term "expressionistic" can be applied to any one of the Aztec pieces entitled "Standing Figure Of A Man" as well as to anything done in this century or the last. But there is a difference: the Aztec and Mayan works have innate expressionism whereas most works produced by contemporary men have a formal expressionism. The former arises from within and is neither a commentary nor judgment upon actual people or events; the latter, that which is prevalent in some circles today, carries with it the personal condemnation or approbation of the artist concerning everything imaginable, and this opinion is imposed...
...genius of the Mayan and Aztec artists cannot be refuted when one brings to mind the finely wrought gold articles, the sensitively constructed miniature animals, and the suitability of the material used for the object created. This early art is sturdy, grotesque, and static. Yet it contains a certain animating power which is so subtly interwoven with the actual material that its effect is tenacious and clinging rather than sudden. There is in it a silent sort of tension which is capable of producing a response within the mind of the spectator, a response which is only communicable by means...