Word: mayas
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...Kurita's powerful fleet steamed through Palawan Passage toward the Sibuyan Sea early on the morning of Oct. 23, it was flushed by patrolling U.S. submarines Darter and Dace. The subs attacked. Before they were through, they had crippled heavy cruiser Takao, sunk heavy cruiser Maya and Kurita's flagship, heavy cruiser Atago. Kurita himself had to swim to save his skin. A Japanese destroyer picked him up, and he sailed on, still in command of five battleships, seven heavy cruisers, two light cruisers and eleven destroyers...
...folk inclined to dismiss Berenson as a lucky hedonist. But he was really an ascetic in reverse who worked untiringly at sipping the ephemeral sweetness of things. His garden drew from him a typically overtrained, anxious and caressing response: he found the lichen "as gorgeous as an Aztec or Maya mosaic," and the moss "of a soft emerald that beds your eye as reposefully as the greens in a Giorgione or Bonifazio...
Ulanova does not have the biggest mass following in Russia: younger fans prefer 32-year-old Maya Plisetskaya (TIME, May 4). But Ulanova is the most revered Russian dancer (perhaps the most revered Russian artist in any field), and was even before she moved to the Bolshoi Company in 1944. Born in St. Petersburg in 1910, she was introduced to the dance early: her father, Sergei Ulanov, was a member of the corps at the famed Mariinsky (now Kirov) Theater, and her mother, Maria Romanova, a Mariinsky soloist and teacher at the St. Petersburg Ballet School. At first Galina...
Lyricism over Steel. Two successive performances of Swan Lake introduced Ballerinas Maya Plisetskaya and Nina Timofeyeva, two of the Bolshoi's first-line quartet of female dancers (of the first week's stars, Galina Ulanova no longer dances Swan Lake, and Raissa Struchkova is not doing so at the Met). Both ballerinas were superb in the double role of Odette-Odile-the Swan Princess and her evil counterpart. Plisetskaya danced her roles with a more contained fire, whipped her sprung-steel body through scissored leaps and glittering turns, gave the role of Odile a brittle profile that suggested...
...Bolshoi's managers spared no pains for their first U.S. tour. They selected the top 110 dancers from a total company of 250, including Ulanova's chief rival, Ballerina Maya Plisetskaya, who for rumored political reasons had not appeared in the West before. With them came 40 tons of scenery, scaled down to fit the Met stage (a third smaller than the Bolshoi's home stage), and a generous ham-perful of the meat-and-potatoes favorites with which the company regularly sells out its home season. Because of the difficulty of shifting the Bolshoi...