Word: maye
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Dates: during 1990-1999
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...first issue of Crimson Arts this semester featured a trio of messianic Backstreet Boys descending from the rafters on space-age surfboards. The surfboards may have been props, but they recalled a more innocent time when surfboards were real and America's first great boy band, the Beach Boys, rode them...
...audience, yet the careful use of grays and silvers by Glenn Reisch '00 creates a sense of sterility. Hanging from the ceiling are square, metal mobiles with twisted coils, contributing to the sensation that human feeling can only be repressed for so long, just as the metal coils may snap at any time. Throughout the show, the set remains a reconfiguration of five sliver boxes reminiscent of the inside of a combustion engine, a few gray and silver wood planks and a few sparse props. The set reinforces the sense that objects, which often matter so much, are interchangeable...
These men are shining examples of service-minded individuals who are willing to risk their lives not only for their fire-fighting brethren, but also for complete unknowns who merely may have been in the building. Although their heroism resulted in the loss of their own lives, they should be exalted and remembered for their sense of duty and commitment to their jobs of protection and preservation of life...
...over [writer's block] is to just send the editor to Aruba and force yourself to put something down, regardless of how terrible you may think it is," Schwartz told the audience. "We as writers have some writer and some editor in us, and sometimes you just have to send the editor away...
...successfully depicted this emotion. Morton makes the most of the characters obvious comic possibilities, including her voracious appetite for both sex and food but also manages to infuse her with dignity. Given the Academys recent penchant for rewarding supporting actresses in Allen films (Dianne Wiest, Mira Sorvino 89), Morton may be the reason Sweet and Lowdown gets remembered at awards time...