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Word: mayehoff (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Broadway one. Bert Lahr had a lot of fun as the visitor from outer space, but lacked the polished hauteur that Cyril Ritchard brought to the role. Kenny Delmar (Fred Allen's Senator Claghorn, for those of you with long memories) could have used more of Eddie Mayehoff's bluffness in the part of the none-too-bright general who has trouble with anything bigger than the Army's laundry problems...

Author: By Caldwell Titcomb, | Title: A Summer Drama Festival: Tufts, Wellesley, Harvard | 9/18/1958 | See Source »

...with the part of Kreton, but he makes the visitor a bit too lovable; he lacks the polished hauteur that Cyril Ritchard brought to the role. Kenny Delmar (Fred Allen's Senator Claghorn, for those of you with long memories) could use more of Eddie Mayehoff's bluffness in the part of General Powers, a none-too-bright officer who has trouble with anything bigger than the Army's laundry problems...

Author: By C. T., | Title: Shakespeare, Vidal Comedies Highlight Drama Week | 7/10/1958 | See Source »

...75th Anniversary Show, to be staged in color over NBC (9 to 10:30 p.m., E.D.T.) by Theaterman Cyril Ritchard, stars Tyrone Power, Jimmy Durante, Bert Lahr, Donald O'Connor, Jane Powell, Marge and Gower Champion, Brandon de Wilde, Duke Ellington, Eddie Mayehoff, Kay Thompson, Columnist Art Buchwald and British Cartoonist Ronald Searle...

Author: /time Magazine | Title: Television: Big Night | 10/14/1957 | See Source »

...could fill a regulation soup bowl of a play. The problem has been solved, on the whole quite happily, by not turning Visit to a Small Planet into a play. It has been turned, instead, into a kind of vaudeville show, with two expert comedians, Cyril Ritchard and Eddie Mayehoff, handling the routines...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 18, 1957 | 2/18/1957 | See Source »

With anything less than the Messrs. Ritchard and Mayehoff, all this would be no better show business than it is playwriting. But Mayehoff has no equal at harrumphing or at jerking his head, at skinning a cliché or stuffing a shirt or making very little sound like even less. And no one has quite the lost-in-a-balloon aplomb or the Mad-King-of-Bavaria hauteur of Cyril Ritchard. At the same time no one knows more surefire tricks. Ritchard will do as many absurd and outrageous things to keep an audience amused as a desperate father will...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Feb. 18, 1957 | 2/18/1957 | See Source »

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