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Word: mayer (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Cheat (Paramount). Pictures like this seem to explain the financial discomforts to which every cinema concern except Loew's Inc. (Metro-Goldwyn-Mayer) is now subject. After fetching talented, exciting, polished Tallulah Bankhead home from the London stage with the intention of making her a picture star, Paramount has introduced her to U. S. cinemaddicts with three of the dustiest vehicles of the year. Tarnished Lady was claptrap about a girl who married for money and later regretted it. My Sin was a routine rigmarole about a lady who tried to conceal a Central American past in a Manhattan...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 21, 1931 | 12/21/1931 | See Source »

Possessed (Metro-Goldwyn-Mayer...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 7, 1931 | 12/7/1931 | See Source »

Clark Gable has now been leading man to each of Metro-Goldwyn-Mayer's three leading stars. In A Free Soul he delivered a punch to the chin of Cinemactress Shearer; in Susan Lenox he managed to control an impulse to do likewise to Greta Garbo. In this picture, his second with...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 7, 1931 | 12/7/1931 | See Source »

First suggested at a dinner given in 1927 by Louis B. Mayer of Metro-Goldwyn-Mayer to Director Fred Niblo, Cinemactor Conrad Nagel and Fred Beetson, the Academy now has 700 members-writers, actors, technicians, production executives, directors. Its main concern is the welfare of the cinema industry. Dissenters regard it as a company union since producers used it two years ago as a weapon to defeat Equity's attempt to organize cinemactors. Annually, each of the five Academy branches selects five nominees in its own branch for an award of merit. The five highest nominations are then submitted...

Author: /time Magazine | Title: Cinema: Year's Best | 11/23/1931 | See Source »

...Champ (Metro-Goldwyn-Mayer) will probably extract more tears than any other cinema made in 1931, with the possible exception of The Sin of Madelon Claudet (TIME, Nov. 9). It is about a broken-down pugilist (Wallace Beery) and his ragamuffin son (Jackie Cooper). There is really only one situation-Jackie Cooper struggling to go on worshiping his father in the face of Beery's unworthy behavior (guzzling, crap-shooting, brawling in bad company) and Beery, shamed at his shiftlessness, struggling to preserve his son's loyalty. Every time Beery gets drunk, gambles away the racehorse which...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 23, 1931 | 11/23/1931 | See Source »

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