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Word: mayer (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Bacchae -- A triumph for the Charles Playhouse and all concerned. Director Timothy S. Mayer has updated Euripides' play in translation and costumes, invested it with modern music, and staged it almost vertically. The devices are amazingly consistent with one another, also with the interpretation, and most of all with the play. The cast is fine. At the CHARLES, 76 Warrenton...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 11/15/1968 | See Source »

...Bacchae--A triumph for the Charles Playhouse and all concerned. Director Timothy S. Mayer has updated Euripides' play in translation and costumes, invested it with modern music, and staged it almost vertically. The devices are amazingly consistent with one another, also with the interpretation, and most of all with the play. The cast is fine. At the CHARLES, 76 Warrenton...

Author: NO WRITER ATTRIBUTED | Title: Movies and Plays This Weekend | 11/8/1968 | See Source »

KEVIN O'CONNOR blends as smoothly into Mayer's conception of Dionysus as the conception does into the play. And as Pentheus, Leon Russom is the perfect physical contrast to O'Connor, while at the same time an exceptionally able and disciplined actor. In his characterization, however, lies a failure of definition that badly undercuts the action of the play. Pentheus must metamorphosize somewhere along the line from a hyper-rationalist into a pathetic, obsessed figure; and Russom, or Mayer, has chosen the wrong moment for the metamorphosis. When Pentheus emerges from the ruins of his palace, razed...

Author: By James Lardner, | Title: The Bacchae | 11/1/1968 | See Source »

...every right because Mayer has assembled a truly magnificent little cast, distinguished by an incredible variety of voices. Foremost among the voices is that of Yolande Bevan, who lifts the chorus to her own extraordinary level, but not much less distinctive are the speaking styles of Edward Finnegan and Donald Marye, as Cadmus and Teiresias. The best performance of the lot, however, has to be that by Patricia Cutts, who bravely circumvents the sort of theatrics to be expected in a woman who has killed her son and partaken of his remains...

Author: By James Lardner, | Title: The Bacchae | 11/1/1968 | See Source »

Separating Richard W. Kerry's set from Mayer's use of it would be an impossible feat. Suffice to say the union speaks extraordinarily well for both parties...

Author: By James Lardner, | Title: The Bacchae | 11/1/1968 | See Source »

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