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Word: mayers (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...even when Peace's content is dreariest, its form is dazzling. Director Timothy Mayer is as brilliant as ever at filling the stage with one arresting tableau after another in cinematic succession, and his imagination never fails him in inventing show-stopping sight-gags, which are the life-energy of low comedy. Set-designer Clayton Koelb has shown a genius for translating these sight-gags into usable pieces of stage machinery...

Author: By Timothy Crouse, | Title: Peace | 7/7/1967 | See Source »

...Nathaniel Mayer and the Twilights...

Author: By Robert P. Marshall jr., | Title: R'n'R Response Feeble | 5/31/1967 | See Source »

What of the Ramparts report of a million child war victims that provoked the formation of the Committee of Responsibility in the first place? The three doctors-Internist Henry Mayer of Redwood City, Calif., Plastic Surgeon John Constable of Boston, and Pediatrician Theodore Tapper of Philadelphia -struggled to establish reliable casualty estimates. They visited 37 of the Viet Nam government's provincial hospitals in three weeks, but in the end could do no better than accept the Vietnamese Ministry of Health's report that casualties are now being admitted to its hospitals at the rate...

Author: /time Magazine | Title: Casualties: Children of Viet Nam | 5/26/1967 | See Source »

...other members of the mission were Henry Mayer, associated with Stanford's Medical School, and Theodore Tapper, of the University of Pennsylvania Medical School, who, like Dr. Constable, is a graduate of the Harvard Medical School...

Author: NO WRITER ATTRIBUTED | Title: Harvard Doctor, Back from War, Impressed by Civilian Casualties | 5/16/1967 | See Source »

...Mayer's production brings together a far-flung assortment of talents, and makes of them a miraculous whole. Plebeians is not an instructive play in the ordinary sense. It is no lecture, but achieves its purpose by employing the audience as an equal partner, rising and falling with the central character, by making the stage what it is -- a stage -- and by having its cast stretch out, physically as well as metaphorically, into the audience. The blocking, which capitalizes on what are usually limitations in Agassiz Theatre, combines realism with esthetic pleasure, and modulates in perfect coordination with the play...

Author: By James Lardner, | Title: The Plebians Rehearse the Uprising | 5/12/1967 | See Source »

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