Word: mayes
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Dates: during 1970-1979
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...wasn't a May and December marriage. More like March and April. Bridegroom Shaun Cassidy, who reached stardom early as teeny-bop's biggest rock idol and then moved smoothly into television acting on Sunday night's The Hardy Boys Mysteries, is 21. Bride Ann Pennington, a former Playboy Playmate who models in bouncy commercials for a Los Angeles men's clothing chain, is seven years older. But that gap mattered not to a romance that began 19 months ago when Cassidy spotted Pennington on the Hardy set. Nor to the groom's mother, Actress...
...this song so different? Am I doing it all again ? It may have been done before But then music's an open door...
...stuttered definace ("Why don't you all f-f-f-fade away") and its refrain like a middle-finger salute ("Hope I die before I get old") put everyone on notice. In the 14 years since that single came out, The Who has lost none of its power. Townshend may have refined the song musically, shaped the message a little more deftly, as in Won't Get Fooled Again, but the spirit remains the same and just as impossible to tame. That spirit turns Won't Get Fooled Again into rock's best and most furious political manifesto. Its sardonic...
...make you feel like you are being stalked down a dark street. When Townshend, 35, called himself "the aging daddy of punk rock," he was not being entirely facetious. Who music can match the tough street impact of punk, especially as Daltrey dishes it out. At 35, he may be one of the oldest kids in the playground, but he is still one of the toughest. Townshend melodies like Pure and Easy, Baba O'Riley and Music Must Change have the structural sophistication of music that is usually presumed to be more "serious." They also have a visceral challenge...
...outset," Jones reports. "We'd start playing one of their songs, and they'd be shocked I didn't know it. But why should I know Who songs? I had my own band." After a decade and a half spent playing and warring together, the three senior Who members may be like brothers, but with undercurrents of the Karamazovs and an overlay of the Dalton boys. It is not only a matter of maintaining a punishingly high musical standard; The Who has the weight of its own myth and the burden of its own history to support...