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...right of anyone to seek interfaith understanding. For those of us who believe there is only one way to please God, however, the key to maintaining harmony among competing faiths is a democratic and pluralistic society that allows full and free expression of diverse religious beliefs. Charles T. Buntin Mayfield...

Author: /time Magazine | Title: Letters: Oct. 21, 2002 | 10/21/2002 | See Source »

...Emory Mayfield and Dan Jones, second-year public policy students at the Kennedy School who were in the audience, agreed that the government is making considerable strides toward improving national security...

Author: By William B. Higgins, CONTRIBUTING WRITER | Title: Former Presidential Hopeful Discusses Homeland Defense | 9/24/2002 | See Source »

...Given the magnitude of the [Department of Homeland Security] and the processes of Washington, I think they’re doing a pretty good job addressing those fundamental issues,” said Mayfield...

Author: By William B. Higgins, CONTRIBUTING WRITER | Title: Former Presidential Hopeful Discusses Homeland Defense | 9/24/2002 | See Source »

BaadAsssss also examines the music, which the larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars...

Author: /time Magazine | Title: Can You Dig It? Right On! | 8/19/2002 | See Source »

...BaadAsssss also examines the music, which the larger (i.e., white) audience probably knows better than the movies. There is archival footage of Shaft's director, Gordon Parks, coaching Hayes as he records the movie's funk-legend theme, and critic Elvis Mitchell explains how Curtis Mayfield's antidrug score for Superfly subtly rebuts the movie's pusher-glorifying plot (the same tension as exists in much gangsta rap). The documentary confirms blaxploitation's lasting influence on music and movies by interviewing Afeni Shakur (mother of late rapper Tupac) and Quentin Tarantino, the white boy whom blaxploitation made. The Oscars...

Author: /time Magazine | Title: Blaxploitation's Mass Appeal | 8/12/2002 | See Source »

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