Word: maying
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...may come when psychiatrists can wipe out phobias at will, like erasing a whiteboard. Who knows? But I suspect that my phobia is a more complicated animal than the ones they worked with at NYU. It goes back a lot further and down a lot deeper than colored cards and electric shocks...
...Willow Creek church are already headed down that path. Though Willow is not the most advanced example of multiracial church, it makes an excellent window into the new desegregation because of its size, its influence and the ferocious purposefulness with which Hybels has deconstructed his all-white institution. Willow may also be emblematic in that Hybels appears to have stopped short of creating a fully color-blind church. His efforts illustrate both the possibilities and the challenges that smaller churches may face as they attempt to move beyond black and white...
...photos in your Year in Pictures issue made me cry [Dec. 21]. I was particularly moved by James Nachtwey's photo of the Afghan amputee and his comments on "veteran" amputees doing physical therapy with those who recently lost a limb. The work of these physical therapists may be repetitive and unspectacular, but it's exactly these acts of mercy that keep the world from falling apart...
What ever happened to David Mamet? It may seem an odd question to ask about a playwright who is so constantly with us. No fewer than three of his plays--American Buffalo, Speed-the-Plow and Oleanna--have been revived on Broadway in just the past year or so. His terse, fragmented, elliptical dialogue; his rogue's gallery of hustlers, con men and losers; his twisty, shaggy-dog plots; his cynical take on the American dream--Mamet's style and themes have seeped into nearly every pore of American theater. (Non-American theater too: Martin McDonagh, whose Irish black comedies...
...Oleanna seemed to grow out of the authentic passions of a particular time (just after the Clarence Thomas hearings), when sexual harassment and political correctness were ripe issues. Race, by contrast, seems like a relic of another era. The advent of Barack Obama may not have invalidated Mamet's cynical view of race relations, but it has made it seem shockingly glib and opportunistic. "This isn't about sex. It's about race," goes the exchange that brings down the curtain in one scene. "What's the difference?" Make sense of that line, and you just might be able...