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...Golden Spinning Wheel, Symphonic Variations (London Symphony Orchestra, Istvan Kertesz conductor; London, $5.98). Mention the words "tone poem" and the average post-Romantic music buff will think of Franz (Mazeppa) Liszt or Richard (Don Juan) Strauss, but rarely of Dvorak. A pity, since Dvorak, too, was a master of the genre. His subjects varied from The Watersprite to The Midday Witch, but he was never more magical than in The Golden Spinning Wheel. Recounting the fairy tale of a lovely spinning girl who pays somewhat gruesomely for a king's love, Dvorak filled his 26-minute score with bold...

Author: /time Magazine | Title: Music: LPs: Nature and Art | 7/24/1972 | See Source »

Well, as Miss Mazeppa told Gypsy ya gotta have gimmick, and Godspell's gimmick is to pretend that Christ was under thirty when he died. At least that's the way he acts in this "musical adaptation of the Gospel According to St. Matthew," which comes complete with theological endorsement by none other than Harvey Cox. Godspell's Christ is part clown, part mime, and an all-around song-and-dance man. His is not to tread the weary way of the Via Dolorosa but to hoof instead down the memory lane of Tin Pan Alley...

Author: By Gregg J. Kilday, | Title: Godspell | 12/13/1971 | See Source »

...Sondheim became co-author of West Side Story and an established Broadway lyricist. "Steve always wanted to be an American Noel Coward," Foxy recalls fondly. The lyrics for Sondheim's next show, Gypsy, with music by Jule Styne, revealed a Lorenz Hartfulness. He rhymed Mazeppa and schlepper, and the progression "he goes, she goes, egos, amigos" could have come from the master himself. Despite his growing reputation as a lyricist, Sondheim yearned to be recognized as a composer, although his credentials as a musician were skimpy. In 1962, though, he wrote the music as well as the words...

Author: /time Magazine | Title: Show Business: The Once and Future Follies | 5/3/1971 | See Source »

Measured Gravity. One of the greats who got an unwelcome notice was Franz Liszt. After Liszt dropped his dazzling career as a pianist to compose his bombastic symphonic poems (Tasso, Les Preludes, Mazeppa), Hanslick wrote with measured gravity: "The musical world has suffered, in the virtuoso's abdication, a loss which the composer's succession can hardly compensate." Liszt stuck to his composing, but the verdict of time supports Critic Hanslick...

Author: /time Magazine | Title: Music: Thorn in the Flesh | 1/22/1951 | See Source »

Parents of U.S. college students had a chance last week to find out how the students spend their money. Indiana University's Assistant Professor of Economics Mary Mazeppa Crawford had studied Indiana spending to the decimal place (Student Folkways and Spending at Indiana University, 1940-41, A Study in Consumption; Columbia University Press; $3.50).* A good state university, neither very rich nor very poor, Indiana could be considered an average guinea pig. Sample Crawford findings...

Author: /time Magazine | Title: Education: That's Where Their Money Goes | 5/3/1943 | See Source »

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